Work type: Dance

Polished but ultimately tepid performances that kept the emotional temperature under wraps despite some fine individual playing and singing.

Why don’t brass ensembles have a regular presence in the classical concert scene, in comparison to string ensembles or at least woodwind ensembles? 

Shechter is back to his finest form with this Waltz for the End of Time.

This solo performance is a touching, tender, and powerfully-told story of Australian Indigenous identity in northwest Australia's Kimberley region.

Everything Pite choreographs turns to gold and when Young is also involved it’s an especially rich vein.

Dresden's Semperoper Ballett leaves a lasting impression on its visit to Sadler's Wells with a William Forsythe triple bill.