Tango a tres en la Juan March

By María Elena Cuenca, 18 May 2015

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“La complicidad en la interpretación se palpaba claramente”

Reviewed at Fundación Juan March, Madrid on 16 May 2015

Piazzolla, Cuatro Estaciones Porteñas: Verano Porteña (Summer Buenos Aires)

Gardel, Lejana tierra mía

Guastavino, Tres romances argentinos, para dos pianos

Piazzolla, Cuatro Estaciones Porteñas: Otoño Porteño (Autumn in Buenos Aires)

Piazzolla, Tardecita Pampeana

Ginastera, Milonga "Canción del árbol del olvido", Op.3

Piana, Milonga triste

Ravel, Rapsodie espagnole (Arreglo para 2 pianos)

Plaza, Morena

Piazzolla, Cuatro Estaciones Porteñas: Invierno Porteño (Winter in Buenos Aires)

de Caro, Todo corazón

Piazzolla, Cuatro Estaciones Porteñas: Primavera Porteña (Spring in Buenos Aires)

Claudio Constantini, Piano

Carles Marín, Piano

Suvi Myöhänen, Violin

Ramón Pelinski, Presenter

Cummings and the AAM win ‘Leipzig's Got Talent’

Nick Boston, 16th April

The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.

*****

Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

****1

A special relationship renewed: Leonard Slatkin returns to Prague

Frank Kuznik, 16th April

Leonard Slatkin returns to the Prague Symphony Orchestra with one of his own pieces, a Schubert tribute that steals the show.

****1

Kinan Azmeh offers a sampling of delights with St Luke’s

No’a L. bat Miri, 15th April

As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.

****1

Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

****1

Tharaud and Queyras celebrate 30 years together in Paris

David Karlin, 14th April

Crisp and elegant cello and piano playing is more successful in French and early repertoire than in Brahms.

****1

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María Elena Cuenca

María Elena Cuenca es estudiante de doctorado en la Universidad Complutense de Madrid. Anteriormente estudió el grado de Educación Musical en la Universidad de Alicante. También hizo el grado de Musicología en la Universidad Complutense de Madrid y a continuación el Máster en Música Española e Hispanoamericana en el mismo centro. Para su doctorado está investigando sobre “Las misas de Francisco de Peñalosa (ca. 1470-1528), estilo musical y contexto”.

Tango a tres en la Fundación Juan March