Bachtrack logo
What's on
All eventsConcertsOperaDanceKids eventsMasterclassesCompetitionsFestivals
Reviews
All reviewsConcert reviewsOpera reviewsDance reviews
Articles
All articlesFeaturesInterviewsOpinionPlaylists
News
Video
Video homeAll videoStreamed eventsConcertsOperaDanceKids eventsMasterclassesPublishers
Site
About usContact usLink to usConditions of useCookiesPrivacy
Young artists
Travel
EventsReviewsArticlesVideo

Un programme d’exception à Garnier : le sublime Sacre de Pina Bausch et la direction musicale d’Esa-Pekka Salonen

By Laurine Mortha, 30 October 2017
Loading, please wait...
See full listing
“le Sacre de Pina Bausch reste tout simplement indépassable”
Reviewed at Opéra national de Paris: Palais Garnier, Paris on 25 October 2017
Programme
Agon (George Balanchine)
Grand miroir (World première) (Saburo Teshigawara)
Le Sacre (Pina Bausch)
Performers
Ballet de l'Opéra de Paris
Esa-Pekka Salonen, Conductor
Akiko Suwanai, Violin
Orchestre de l'Opéra national de Paris
Eleonora Abbagnato, Dancer
Myriam Ould Braham, Dancer
Dorothée Gilbert, Dancer
Germain Louvet, Dancer
Hannah O'Neill, Dancer
Sae Eun Park, Dancer
Lydie Vareilhes, Dancer
Juliette Hilaire, Dancer
More Dance reviews
At NYCB, Fairchild bids adieu in her final performances of Coppélia
Leigh Donlan, 22nd May
Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.
*****
Good vibrations: Robbins, Balanchine and Bach at New York City Ballet
Carla Escoda, 13th May
Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet. 
*****
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
Ivy Lin, 25th April
A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.
*****
Ballet for cowboys and soldiers at Kansas City Ballet
Hilary Stroh, 20th March
Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.
****1
American Ballet Theatre's double bill is short and sweet in New York
Ivy Lin, 15th March
American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.
****1
A spectacular triple bill lifts ABT’s spring season in New York
Leigh Donlan, 13th March
A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.
****1
More reviews...
Read reviews of
AgonAkiko SuwanaiBallet de l'Opéra de ParisBenjamin ShwartzDorothée GilbertEleonora AbbagnatoEsa-Pekka SalonenEsa-Pekka SalonenGeorge BalanchineGermain LouvetHannah O'NeillIgor StravinskyJuliette HilaireLe SacreLydie VareilhesMyriam Ould BrahamOrchestre de l'Opéra national de ParisPina BauschSaburo TeshigawaraSae Eun Park
Related articles
Loading image...
Labyrinths of life: Erkki-Sven Tüür on a sense of place
Loading image...
Ralph Fiennes to direct new staging of Eugene Onegin at Opéra de Paris
Loading image...
Dreams of Greece: Ravel’s first ballet Daphnis et Chloé
Loading image...
Big birthdays: Philharmonia Orchestra celebrates 80 years in 2025–26
More by Laurine Mortha
Loading image...
Onbashira Diptych de Damien Jalet au Théâtre de la Ville : un concept scénique avant tout
Loading image...
Les rythmes endiablés de Notre-Dame de Paris de Roland Petit conquièrent Bastille
Loading image...
Delay the Sadness, la voix intime de Sharon Eyal à La Villette
Loading image...
Post Orientalist Express, le retour vitaminé d’Eun-Me Ahn à Paris
Laurine Mortha
Laurine Mortha
Danseuse amatrice depuis 20 ans, Laurine est une habituée des scènes parisiennes, classiques et contemporaines, et a été chorégraphe d'une comédie musicale amateur.