Une Damnation de Faust 100% toulousaine à la Halle aux Grains

By Arnaud Saura-Ziegelmeyer, 25 February 2019

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“Tugan Sokhiev dose parfaitement son orchestre afin de laisser les voix toujours audibles”

Reviewed at Halle aux grains, Toulouse on 22 February 2019

Berlioz, La Damnation de Faust (Concert performance)

Tugan Sokhiev, Conductor

Sophie Koch, Marguerite

Marc Laho, Faust

John Relyea, Méphistophélès

Julien Véronèse, Brander

Chœur de l'Opéra national du Capitole de Toulouse

Alfonso Caiani, Conductor

Orchestre National du Capitole de Toulouse

The ghost of Maria Callas: Greek National Opera's Medea at Epidaurus

Anna Bogdanova, 20th June

To rebuild Maria Callas's 1961 Medea is to invite the cruellest comparisons in opera. For most of a single night at Epidaurus, Greek National Opera withstands it, but then comes the final act...

****1

10 Days in a Madhouse receives Canadian premiere

John Gilks, 16th June

10 Days in a Madhouse is a musically and dramatically excellent but disturbing insight into conditions in a women’s asylum brought to life in Toronto by an excellent production.

****1

Galați Cenerentola lights up the Bucharest stage

Peter Quantrill, 15th June

First class young voices and bewitchingly stylised designs shine through the murk at the Bucharest Opera Festival.

****1

L’Orfeo, the world’s first great opera, premieres at Glyndebourne

Roy Westbrook, 14th June

One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,

****1

Darkness without passion: Damiano Michieletto’s Carmen at La Scala

Laura Servidei, 12th June

Despite Michieletto's visual gloom, the evening is redeemed by Myung-whun Chung’s masterful conducting and a cast that brings conviction to a production that rarely trusts the opera’s own dramatic power.

**111

Aldeburgh Festival dives in at the deep end with Pelléas et Mélisande

Eleanor Knight, 12th June

Rory Kinnear directs a minimally semi-staged performance of Debussy's problematic opera at Snape Maltings, but Ryan Wigglesworth and the BBC Scottish SO provide the detail.

****1

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Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.