Federico Gad Crema et Arthur Hinnewinkel impressionnent à Gstaad

Arthur Hinnewinkel dans la chapelle de Gstaad

Federico Gad Crema dans la chapelle de Gstaad

By Rémi Monti, 05 February 2024

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“Arthur Hinnewinkel excelle dans l'art de la narration”

Reviewed at Gstaad Chapel, Gstaad on 1 February 2024

Scriabin, Fantasie in B minor, Op.28

Beffa, Night and Day

Chopin, 24 Préludes, Op.28

Federico Gad Crema, Piano

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Reviewed at Gstaad Chapel, Gstaad on 2 February 2024

Beethoven, Piano Sonata no. 31 in A flat major, Op.110

Schumann, Fantasie in C major, Op.17

Beffa, Night and Day

Arthur Hinnewinkel, Piano

La jeunesse chambriste prometteuse du Festival de Pâques d’Aix

Pierre Michel, 6th April

Au sein du week-end de clôture du festival aixois, deux concerts ont joliment mis à l'honneur la jeune génération de la musique de chambre aux côtés de Gil Shaham et Renaud Capuçon.

****1

Black American music finds a new voice at the Concertgebouw

Clare Varney, 18th June

Dutch premieres, new faces and new arrangements result in a concert quite unlike any other from the Royal Concertgebouw Orchestra under Antony Hermus.

****1

Apollonian radiance and women scorned: the Britten Sinfonia at Snape

Roy Westbrook, 18th June

Hell holds no fury like a woman scorned, and it was certainly so in Greek mythology, celebrated in this outstanding Aldeburgh Festival performance by the Britten Sinfonia and Helen Charlston.

*****

Improvisatory Gershwin from Ryan Wang with Chromatica Orchestra

Nick Boston, 17th June

Energetic yet atmospheric performances from Chromatica Orchestra, with Ingunn Korsgård Hagen providing firm yet spirited direction.

****1

A perfect landing with Harding and the Mahler Chamber Orchestra

Mengguang Huang, 17th June

Håkan Hardenberger joins the Mahler Chamber Orchestra and Daniel Harding for a thrilling night concluding with a breathtaking, high-energy Beethoven Four.

****1

Poise over fire: McGegan, Chen and the Orchestra of St Luke’s

Edward Sava-Segal, 16th June

A late substitution turns a violinist-led showcase into a polished, orchestra-centred Bach Festival evening at Carnegie Hall.

***11

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Rémi Monti

Auditeur compulsif de concerts dont l’amour pour la musique classique s’est développé à Toulouse, Paris mais surtout à Moscou, par le chatoiement des pianistes et des orchestres se succédant dans la Grande Salle du Conservatoire, Rémi travaille depuis plusieurs années entre journalisme et production (Radio Classique, Pianiste Magazine, Philippe Maillard Productions, Festival Tons Voisins d’Albi…).

Federico Gad Crema et Arthur Hinnewinkel impressionnent aux Sommets Musicaux de Gstaad