Des Indes galantes mais un peu trop sages à Versailles

By Stéphane Lelièvre, 18 November 2019

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“Les solistes vocaux parviennent à colorer l’opéra-ballet de teintes vives”

Reviewed at Château de Versailles: Royal Opera House, Versailles on 15 November 2019

Rameau, Les Indes galantes

Valentin Tournet, Conductor

Ana Quintans, Hébé, Zima

Edwin Crossley-Mercer, Bellone, Don Alvar

Julie Roset, L' Amour

Guillaume Andrieux, Osman, Adario

Emmanuelle de Negri, Émilie

Philippe Talbot, Valère, Don Carlos, Damon

Alexandre Duhamel, Huascar

La Chapelle Harmonique

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10 Days in a Madhouse is a musically and dramatically excellent but disturbing insight into conditions in a women’s asylum brought to life in Toronto by an excellent production.

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Peter Quantrill, 15th June

First class young voices and bewitchingly stylised designs shine through the murk at the Bucharest Opera Festival.

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Laura Servidei, 12th June

Despite Michieletto's visual gloom, the evening is redeemed by Myung-whun Chung’s masterful conducting and a cast that brings conviction to a production that rarely trusts the opera’s own dramatic power.

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Monteverdi and Ulisse return happily to Garsington Opera

David Karlin, 12th June

Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

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Stéphane Lelièvre

Stéphane Lelièvre est maître de conférences en littérature comparée. Il est responsable de l’équipe « Littérature et musique » du Centre de Recherche en Littérature Comparée à la Faculté des Lettres de Sorbonne Universités. Spécialiste des romantismes allemand et français, il s’intéresse d’une manière générale aux liens entre les lettres et la musique, et donc particulièrement à l’opéra.