Brownlee and Spyres: so much more than vocal jousting

Von Jenny Camilleri, 01 November 2018

Laden, bitte warten...

Veranstaltung anzeigen

“made you forget that other voice types exist”

Rezensierte Veranstaltung: Concertgebouw: Main Hall, Amsterdam, am 31 Oktober 2018

Mozart, Idomeneo, rè di Creta, KV366: Fuor del mar

Rossini, Zelmira: Terra amica, ove respira

Rossini, Elisabetta, regina d'Inghilterra: Deh! scusa i trasporti

Rossini, Guillaume Tell (Wilhelm Tell): Ouvertüre

Bellini, Il pirata: Per te di vane lagrime

Verdi, I due Foscari: Dal più remoto esilio ... si lo sento iddio mi chiama

Rossini, Ricciardo e Zoraide: Donala questo core

Adam, Le Postillon de Lonjumeau: Mes amis écoutez l'histoire

Auber, La Muette de Portici: Du pauvre seul ami fidèle

Bizet, Les Pêcheurs de perles: Je crois entendre encore

Cherubini, Ali Baba ou Les quarante voleurs: Ce n'est donc fait

Thomas, Raymond: ouverture

Halévy, La Juive: Rachel, quand du seigneur

Rossini, Guillame Tell: Asile héréditaire

Rossini, Otello: Ah! Vieni nel tuo sangue

Bizet, Les Pêcheurs de perles: Au fond du temple saint

Residentie Orkest The Hague

Michael Balke, Musikalische Leitung

Lawrence Brownlee, Tenor

Michael Spyres, Tenor

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Michael Klier, 7th November

Das außergewöhnlich gute Sängerensemble trägt diese aussagekräftige Opernvorstellung bei ihrer europäischen Premiere.

****1

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Mit siebenmonatiger Verspätung kommt Willem Jeths' neue Oper endlich zur langersehnten Welturaufführung vor Publikum.

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Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

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Eleanor Knight, 22nd March

Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation.

*****

A monolithic Nabucco at Dutch National Opera

Jenny Camilleri, 27th January

A promising cast on paper is scuppered by a banal, monotonous production and uninspired conducting.

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Weitere Kritiken...

Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.

Brownlee and Spyres at the Concertgebouw: so much more than vocal jousting