Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Gabrieli

Mit „Giving Voice“ gelingt dem Festival Oude Muziek Utrecht ein bestechend interessantes Programm, dem das Ensemble Odyssee, Stile Antico und Gabrieli Consort & Players designbezogen besondere Aufwartung machten.

Zum 25-jährigen Bestehen des Barockorchesters durfte Marcons Repertoireklassiker einer Monteverdi-Rekonstruktion nicht fehlen; und zurück in den Niederlanden präsentierte sich dieser mit dem Vokalensemble großartig.

Eine „Bach Christmas” wortwörtlich zwischen den Traditionen, interpretatorisch zwischen gewohnt dramatischen Reizen Pichons und stimmlich Unpassenderem.

Vor allem bei Gabrieli funktionierten Balance und Herangehensweise wenig überzeugend, bei Schütz allerdings entwickelte sich ein auf die Fähigkeiten, Texte und Effekte gerichtetes Klangfest.

Sir Simon Rattle fegt bei dieser Aufführung mit der Staatskapelle Berlin noch den letzten Weihrauch und so die letzte Mystik der Messe hinweg.

Klaus Mäkelä conducts the Chicago Symphony through a display of orchestral color, from Stravinsky’s kaleidoscopic Petrushka to the exuberant grandeur of Walton’s Belshazzar’s Feast.

Tugan Sokhiev leads the Philadelphia Orchestra in a powerful performance of Shostakovich’s haunting Fourth Symphony. Shorter pieces by Gabrieli and Britten offer an enjoyable prelude.

Paul Agnew tire le meilleur de ses Arts Florissants au Festival d’Ambronay, dans les madrigaux audacieux de Schütz comme dans quatre plus classiques Cantates de Bach.

The LSO is reunited with its Music Director for the first time since lockdown for a moving performance from the Royal Albert Hall. 

The Scottish Ensemble with guitarist Sean Shibe perform a thoughtful programme of ancient and modern Christmas-themed music in a candlelit St John’s Kirk.

Lars Vogt and Royal Northern Sinfonia deliver Beethoven's Symphony no. 9 with swaggering self-confidence, and heroic chorus singing.

A concert at the Andrzej Markowski International Wratislavia Cantans Festival that was anything but traditional or predictable.

Several of Tokyo’s finest collaborate in successfully delivering a re-opening concert at Suntory Hall

Gabrieli Consort & Players, liderados por Paul McCreesh, presentaron en el Auditorio Nacional un programa que recreaba la misa de coronación del doge de Venecia en 1595. Obras de los hermanos Gabrieli, entre otros, en alternancia con canto llano y fanfarrias instrumentales, nos hicieron disfrutar de la excelente calidad de un conjunto absolutamente referencial.

The Oslo Philharmonic played finely tuned Gabrieli and virtuosic Bach, finishing with a surprisingly sinister performance of Mahler's Fourth Symphony.

Red Note Ensemble's Sounding Brass in a unique afternoon of brass, percussion and electronics in an imaginatively scouted industrial setting.

The Exultate choir played alongside His Majesties Sagbutts for an evening of music from St. Mark’s Basilica in Venice, some of which hadn't been heard for over 400 years.

The scene is 1612 in Venice: a great battle has been won against the dreaded Ottoman Empire, and in celebration, evening prayers are ordered to be set to music specially composed by the great Giovanni Gabrieli, Claudio Monteverdi and others.

The celebrated Giovanni Gabrieli, one of the most innovative and influential composers of the Venetian school, exacting the transition between the Renaissance and Baroque musical periods, died on 12 August 1612.

A competition for young composers run by the National Centre for Early Music may perhaps, at first glance, sound like a contradiction, but the winning pieces, performed tonight by the Tallis Scholars in Durham Cathedral, acknowledged the glories of early polyphonic choral music whilst conveying their composers’ own distinct musical ideas.