Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Reimann

Die Reihe „ unerHÖRT“ besticht ein weiteres Mal, nun mit Kompositionen von Helena Winkelman, Arvo Pärt und Aribert Reimann.

Eine Frau, Mutter und Ausgestoßene muss in einer feindlichen Umgebung Lebensentscheidungen treffen.

Runnicles und sein Orchester bieten trotz fallender Blätter Sommerliches, aber auch Stilles, Metaphysisches und Poetisches im Matinee-Konzert.

Relentlessness is the keyword of Aribert Reimann’s modernist Lear, in a stripped-down new Komische Oper Berlin production by Barrie Kosky.

Aribert Reimann's Lear takes no prisoners in a disturbing portrayal of a world gone awry, but Barbora Horáková's scattergun direction adds to the confusion. 

Este Lear de Calixto Bieito constituye la mejor propuesta hasta el momento de la temporada de Teatro Real.

Anna Lucia RIchter repasa la historia del lied en el Patio de los Mármoles del Hospital Real de Granada.

A superb cast of singers is let down by Christoph Marthaler's cold, stilted staging as Reimann's Lear returns to its birthplace.  

Dans cette reprise d'une production créée en 2016, Bo Skovhus est magistral dans le rôle-titre. L'œuvre s'avère une nouvelle fois un des moments forts de la programmation de l’Opéra de Paris.

A brilliantly staged production of Reimann's Ghost Sonata by Opera Australia shows once again that modernist opera can be compelling if a provocative story is rendered by an outstanding cast.

In L’Invisible, which had its première last weekend at the Deutsche Oper Berlin, Aribert Reimann has condensed three plays by Maeterlinck into bite-size chunks that vanish before they can be savoured.

In 2010, the première of Reimann's Medea was welcomed with enthusiasm, leading the Staatsoper to relaunch it this season for a second run.

Une nouvelle production ambitieuse et saissante du Lear de Reimann à l'Opéra de Paris, qui voit sombrer dans la folie un roi d'Angleterre interprété magistralement par Bo Skovhus.

Deutsche Oper Berlin present an eclectic concert in celebration of the life and career of composer Aribert Reimann.

In a reconstruction of Jean-Pierre Ponnelle’s production for the world première of Reimann’s soul-pummelling Lear, the staging stands the test of time, but the cast and orchestra leave the biggest impression.

The opening concert of the Wiener Konzerthaus in 1913 featured a performance of Beethoven’s Ninth Symphony with a celebratory prelude written by Richard Strauss. To mark its 100 year birthday, this Sunday morning the Vienna Philharmonic, led by the eminently engaging Gustavo Dudamel, performed Beethoven’s Ninth as well, but this time with a “Prolog” written by living composer Aribert Reimann.