Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Edward Clug

Edward Clug bringt Tschaikowskys Ballett als brillanten farbenreichen Bilderbogen auf die Bühne. 

Das neue Programm des NDT 2, Sudden and Suspended, wir enthusiastisch und frenetisch beim Publikum aufgenommen.

Das Stuttgarter Ballett zeigt mit NEW/WORKS einen beeindruckenden Abend neuer Werke.

Bauhaus und die Gründung der Weimarer Republik dienen als Anregung für die Stuttgarter Uraufführung.

Strings, ein spannendes neues Programm in Zürich, zeigt Werke dreier renommierter Choreographen und die Demokratisierung des Balletts.

The conducting of Jordi Savall thrills during the Ballet du Capitole's double bill of ballets by Gluck.

Henrick Ibsen’s tragic figure is given a stunning interpretation by Romanian choreographer Edward Clug, who underscores the power of love.

In Zurich, two sensational ballets by choreographers Johann Inger and Edward Clug pull out all the stops... including those on the water hoses.

A very mixed set of filmed solos themed around The Dying Swan, although this link was often tenuous.

Beatrice Rana and Mario Brunello provide live music for seven internationally renowned dancers, including Paris Opéra Ballet’s Hugo Marchand and Spanish flamenco whizz Sergio Bernal, at the 15th-century Rocca Brancaleone.

Fêted collaboration lacks substance despite committed performances, and it's Cherkaoui's Faun that captures the human connection.

NDT 2’s 'microcosm' is on display at the Haus der Berliner Festspiele with a mixed bill of four works created for these young talents

Edward Clug’s choreography is consistently imaginative and powerful, and exceptionally ambitious in the case of “Faust”, which recently celebrated its world première in Zurich. 

As part of the nationwide “Steps” dance festival, NDT2 gave a degree of precision, theatrics, musicality, and humour that truly set the group apart.

Just as Igor Stravinsky’s Petrushka and Le Sacre du Printemps opened up new musical horizons for dance at the start of the 20th century, Ballett Zürich’s Stravinsky evening sees two leading modern choreographers revive these works.

Étoiles from the Mariinsky and the Opera of Odessa rocked the Admiralspalast with Edward Clug’s sleek works Radio & Juliet and Quatro.

Les Grands Ballets has a new Artistic Director – Ivan Cavallari – and 13 new dancers, mostly cherry-picked from some of Europe’s best ballet companies. Montreal audiences are in for a thorough journey through European contemporary ballet movements; which is not so far from the trajectory the previous Artistic Director Gradimir Pankov established during his tenure

A held back season opener for NDT, in which pure dance takes centre stage.

Choreographers Marco Goerke and Edward Clug take Stravinsky’s two most familiar ballet works to a whole new level.

NDT2 brings a mixed programme to Sadler's Wells, as part of its UK tour. With works by Sol Leon and Paul Lightfoot, Edward Clug, Hans Van Manen and Alexander Ekman 

NDT2 is an excellent company, presenting fresh, interesting and exceptionally well-performed pieces in this new tour.

A phenomenal performance by NDT 2 given in Baden, some 20 minutes from Zurich, was the equivalent of shooting the high ball out of the park. 

Stuttgart Ballet performed a triple bill consisting of two innovative world premieres No Men's Land (Edward Clug) and Aftermath (Demis Volpi), with Maurice Bejart's classic Songs of a Wayfarer. 

The Kings of the Dance program offers audiences a unique experience: a chance to see the top men in ballet letting it all out on one stage. This year, Opus 3 maintained the program’s reputation at New York City Center.