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Phelim McDermott begibt sich in Philip Glass' Altes Ägypten: eine Produktion mit Starauftritt von Anthony Roth Costanzo, die zu sehen und zu hören absolut fesselnd ist.

Wenn man ausgebildete Opernsänger schauspielern und Schauspieler in einem bekannten Opernhaus singen lässt, befindet sich jeder außerhalb seines Wohlfühlbereiches, was nicht unbedingt schlecht ist.

Kasper Holten’s much travelled and spectacular Don Giovanni gets a fresh and lively remount at Toronto’s Four Seasons Centre from a young cast headed up by Gordon Bintner. 

Lucas Meachem’s portrayal suggests a paraphrase of what another Hollywood Don Juan, Errol Flynn in 1949, said to his Leporello in excusing his escapades. “My dear friend, there’s a little bit of Don Giovanni in every man, and since I am Don Giovanni, there must be more of it in me!” 

Philip Glass' operatic take on Ancient Egyptian history returns to the Coliseum in Phelim McDermott's hypnotic production, complete with jugglers...

Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.

Is it possible to have a minor success on every level? Kevin Puts' The Hours underwhelms in its world premiere production at the Metropolitan Opera. 

The Royal Opera's revival of Keith Warner's staging feels underbaked, although interest is largely focused on the pit as the latest contender to take over from Antonio Pappano as Music Director is auditioned.

Director Francesco Micheli undersells Handel in this Glyndebourne debut, but there's plenty of froth to keep the audience entertained. 

Femi Elufowju's new staging of Verdi's classic is innovative, provocative and closely connected with the modern world.

Francisco Negrín gives his singers little help in a dark, boxy new staging, put together at frantic, last minute speed. 

Unimpeachable voices and fine playing light up The Royal Opera's latest revival of Kasper Holten's dark staging.

Bieito’s Carmen is now a mainstay of ENO's repertoire, but with an excellent central cast led by Sean Panikkar and Justina Gringytė, the production feels entirely fresh. 

The third in the composer’s “portrait” trilogy finally arrives at The Met in Phelim McDermott's spectacular production. 

Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score. 

Kasper Holten's new production fails to convince about the alleged virtues of Wagner's outcast comic opera.

Opera North revives a brilliantly successful production of Carousel directed by Jo Davies at the Leeds Grand Theatre.