Zum Saisonauftakt lädt „Das neue Opernhaus“ zu einer Rarität, der es trotz Obsession und Wahn letztlich an Spannung fehlt, die aber durch eine tolle musikalische Umsetzung besticht.
In Georges Bizet’s Les pêcheurs de perles, two men’s vow of eternal friendship is threatened by their love for the same woman. Only one man lives to tell the tale.
Nuremberg's opera house launches a new directorial era with an impressive staging of Prokofiev's adaptation of Tolstoy's great novel that incapsulates 200 years of Russian history.
Baritone Kay Stiefermann steals hearts at the eponymous Count of Luxembourg, in an operetta so charming that neither musical missteps nor a mixed-up staging can sink it.
Zurich’s revival of Georges Bizet’s three-act opera Les pêcheurs de perles (The Pearl Fishers) pulls out all the stops, but it was not to everyone’s liking.
