Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | La Damnation de Faust Op. 24: Rákóczy March

Nach acht Sätzen und drei Märschen blieb eine Empfindung: packend!

The European Union Youth Orchestra confirms its exceptional quality in Zubel and Tchaikovsky. In Chopin, Seong-Jin Cho shows why he is a rising star of distinction.

Absolute Jest sounds like perfect fare for an April Fool's Day concert. John Adams quotes Beethoven in many guises in his jolly work for string quartet and orchestra. 

A journey of emotions with the Munich Philharmonic under Gergiev resplendent in Ravel and Richard Strauss, thought-provoking in Ustvolskaya, and Behzod Abduraimov electrifying in Rachmaninov.

Bartók's Duke Bluebeard’s Castle makes for an enthralling evening, both in its depth of psychology, its amazing score and in the RPO’s colour filled performance, with stand-ins Sir Willard White and Ildikó Komlósi in fine voice.

Cette saison, l’Opéra Comique fête ses 300 ans. Intitulé « Si l’Opéra Comique m’était conté », le gala célébrant le tricentenaire de l'institution retraçait son histoire en donnant un aperçu des créations emblématiques du lieu. Une frise chronologique efficace et très bien servie.