Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Préludes, Buch 1 Nr.7: Ce qu'a vu le vent d'ouest

Anna Vinnitskaya gab ihr Debüt im Kammermusiksaal der Berliner Philharmonie mit einem anspruchsvollen und wohl gelungenen klugen Programm mit Prokofjew, Debussy und Chopin.

Kraft und Virtuosität, durchgestaltet und hinreißend gespielt: Juan Pérez Floristán lebt diese Musik!

La pianista china ofrece en el Palacio de Festivales un excepcional concierto en torno al impresionismo francés y la música de Chopin que cerró con una vertiginosa entrega de propinas.

Dans Couperin, Debussy, Satie et Ravel, le pianiste a montré qu'il était comme chez lui dans ce répertoire français qu'il partage avec générosité auprès d'un public fidèle.

De Scriabine à Liszt en passant par Debussy et Castelnuovo-Tedesco, la pianiste italienne a livré un récital caricatural, étonnant par son absence de dramaturgie et de construction du discours.

The Italian pianist builds to a hugely powerful rendition of Liszt’s Piano Sonata in B minor in her Barbican recital debut. 

 La pianista italiana Beatrice Rana ofreció un recital intenso de programa muy bien estrucurado que abrió y cerró con complejas obras de Scriabin y Liszt.

Alexandre Tharaud interpretó con talento y genialidad Mirroirs de Ravel mientras que las obras de Debussy y Schubert pecaron de meticulosidad y cuidado.

Pollini's love for Chopin and Debussy was evident throughout an intimate recital as part of the Southbank Centre's in the International Piano Series.

Un récital d’une admirable unité ! Les Chopin de Kissin furent hiératiques, son Schumann d’une justesse absolue et ses Debussy comme dans un rêve. Un voyage à vivre assurément.

What a great composer, and what a great advocate for his genius.

A four-hour concert featuring piano music by Debussy might seem like an excessive ask, but the Perth Festival filled the venue for this stunning and highly entertaining concert by French pianist Jean-Efflam Bavouzet.

“Wigmore Hall is flooded now!” confessed Philippe Cassard. It was Claude Debussy who left the tap running, with every form of precipitation – rain, snow, fog – pouring from the Steinway's keyboard, trickling from fountain, springing from river beds. 

As one of the featured artists of the ‘Am Piano’ festival in Lucerne, Lise de la Salle brought a poetic weave to the fabric of complex and highly demanding scores. 

Alexei Lubimov’s recent late-night recital at the Mostly Mozart Festival alternated rippling, dappled notes of Debussy with the playful simplicity of Satie’s music, contrasting vivid Debussyste images with the static yet aimless wandering of Satie’s rarely-performed piano works.

Cédric Tiberghien’s recital at Symphony Center on Sunday built up like a crescendo, rising to ever greater heights of contrast, color, and explosive energy.

Acclaimed Russian pianist Boris Berezovsky opened the 2014 International Piano Series concerts at Southbank Centre with an impressive and absorbing recital of music by Debussy, Ravel and Rachmaninov.

Hong Kong has had the good fortune to present Krystian Zimerman several times in recent years, thanks to presenters at the Leisure and Cultural Services Department. Those who have been following Zimerman’s concert engagements will realize much of his activities today are focused in Europe and Asia.

In an exhilarating finale, Italian pianist Maurizio Pollini’s fascinating series at the Royal Festival Hall, ‘The Pollini Project’, closed with a concert focusing on the music of Chopin, Debussy and Boulez. This was meant to be the penultimate concert in the series, but was rescheduled due to ill health.

To say that the diminutive Mr Kadouch is a very gifted young pianist with a brilliant technique and a bright future is an understatement. The program overall was very well-played.