Jean-Efflam Bavouzet commemorates Debussy

Von Roy Westbrook, 26 März 2018

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Veranstaltung anzeigen

“Bavouzet became a French Prospero, conjuring terrifying tempests from the keyboard”

Rezensierte Veranstaltung: Guildhall School of Music & Drama: Milton Court Concert Hall, London, am 25 März 2018

Debussy, Ballade (Part 1)

Debussy, Nocturne in D flat major (Part 1)

Debussy, Tarantelle styrienne (Part 1)

Debussy, Arabesque Nr. 1 Andantino con moto (Part 1)

Debussy, Estampes (Part 1)

Debussy, Suite Bergamasque: Clair de lune (Part 1)

Debussy, L'Isle Joyeuse, Op. 26 (Part 1)

Debussy, Images, book 1 (Part 2)

Debussy, Préludes, Bk 1 no. 8: La Fille aux cheveux de lin (The girl with the flaxen hair) (Part 2)

Debussy, Préludes, Bk 1 no. 10: La Cathédrale engloutie (The Sunken Cathedral) (Part 2)

Debussy, Préludes, Buch 1 Nr.7: Ce qu'a vu le vent d'ouest (Part 2)

Debussy, Étude no. 1, pour les cinq doigts d'après Monsieur Czerny (Part 2)

Debussy, Étude no. 2 pour les tierces (Part 2)

Debussy, Étude no. 4 pour les sixtes (Part 2)

Debussy, Étude no. 7 pour les degrés chromatiques (Part 2)

Debussy, Études no. 10: Pour les sonorités opposées (Part 2)

Debussy, Etude no. 11 pour les arpèges composés (Part 2)

Debussy, Étude no. 5 pour les octaves (Part 2)

Debussy, Préludes: Buch 2 (Part 3)

Jean-Efflam Bavouzet, Klavier

Spannung im Überfluss bei Lutosławskis Dritter mit dem RFO

Michael Klier, 20th January

Mitreißender Spannungsbogen bei Lutosławskis Dritter Symphonie mit dem Radio Filharmonisch Orkest unter Edward Gardner und auch Jean-Efflam Bavouzet glänzte in Bartóks Erstem Klavierkonzert.

****1

Dreifacher Zauber?

Rolf Kyburz, 21st February

Eine "klassische", auf Klarheit und Transparenz bedachte Interpretation, mindestens ebenbürtig zu denen bekannter Spitzenorchester, in manchen Aspekten sogar überlegen: wo sonst bekommt man Rachmaninow in dieser Klarheit geboten?

****1

Jean-Efflam Bavouzet plays Ravel’s complete piano works

Edward Sava-Segal, 18th November

A coherent, finely balanced traversal in Alice Tully Hall is shaped by clarity, restraint and expressive poise.

*****

Mixed results from Dalia Stasevska's trio of 20th-century works

David Truslove, 12th March

Seldom heard and standard repertoire bring mixed results from Dalia Stasevska, the BBC Symphony Orchestra and BBC Symphony Chorus.

***11

Bavouzet’s Manchester Mozart cycle reaches its epic peak

Leighton Jones, 20th September

All good things must come to end, but Manchester Camerata's Mozart piano concerto cycle did so in exceptional style in Stoller Hall.

*****

Albéric Magnard steals the show in all-French recital at Wigmore Hall

Nick Boston, 15th November

How many of Albéric Magnard's 22 works do you know? Jean-Efflam Bavouzet and the Orsino Ensemble perform his Quintet in D minor to Wigmore Hall and it becomes the sixth star of the evening.

*****

Weitere Kritiken...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Pour le piano: Jean-Efflam Bavouzet commemorates Debussy at Milton Court