| Opéra national de Paris | ||
| Stefano Montanari | Musikalische Leitung | |
| Barrie Kosky | Regie | |
| Rufus Didwiszus | Bühnenbild | |
| Victoria Behr | Kostüme | |
| Ulrich Eh | Licht | |
| Orchestre de l'Opéra national de Paris | ||
| Chœurs de l'Opéra national de Paris | ||
| Marcel Beekman | Tenor | Falsacappa |
| Marie Perbost | Sopran | Fiorella |
| Antoinette Dennefeld | Mezzosopran | Fragoletto |
| Yann Beuron | Tenor | Le Baron de Campo-Tasso |
| Laurent Naouri | Bariton | Le Chef des Carabiniers |
| Mathias Vidal | Tenor | Le Prince de Mantoue |
| Sandrine Sarroche | Schauspiel | Antonio |
| Philippe Talbot | Tenor | Le Comte de Gloria-Cassis |
| Adriana Bignagni Lesca | Mezzosopran | La Princesse de Grenade |
| Flore Royer | Mezzosopran | Adolphe de Valladolid |
| Luis-Felipe Sousa | Bass | Le Précepteur |
| Leonardo Cortellazzi | Tenor | Carmagnola |
| Éric Huchet | Tenor | Domino |
| Franck Leguérinel | Bariton | Barbavano |
| Rodolphe Briand | Tenor | Pietro |
| Maria Warenberg | Mezzosopran | Bianca |
| Marine Chagnon | Sopran | Ciccinella |
| Clara Guillon | Sopran | Fiammetta |
| Ilanah Lobel-Torres | Sopran | Zerlina |
| Helene Schneiderman | Mezzosopran | La Duchesse |
| Doris Lamprecht | Mezzosopran | La Marquise |
| Jules Robin | Tenor | Pipo |
| Manon Barthélémy | Sopran | Pipa |
| Corinne Martin | Sopran | Pipetta |
Brigands in search of a new exploit, a Spanish delegation, a massive heist, a not-so-honest cashier, carabinieri who always arrive too late: the ingredients, disguises, twists and turns in Offenbach’s opéra‑bouffe, first performed in 1869 at the Théâtre des Variétés, are so abundant that they make the story utterly extravagant. But little matter ! Set to Meilhac and Halévy’s vivacious libretto, the composer of La Belle Hélène serves up a hilarious little gem, all the while mocking the financial circles of the Second Empire.
Absent from the Paris Opera for over thirty years, Les Brigands takes the Palais Garnier for the first time by storm in a new production directed by Barrie Kosky. This aficionado of Offenbach’s music, who sees in this zany comedy a kinship with Dadaism, recreates the rhythm and folly of a joyously amoral society.
Duration : 2h50 with 1 interval
Language : French
Surtitles : French / English.
Single tickets on sale from 28th May 2024, from 12 pm.