21st-Century Choreographers celebrated by The Royal Ballet

Von Graham Watts, 19 Mai 2021

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“a spontaneous eruption of affection for a live art that had been absent from this stage”

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 18 Mai 2021

Within the Golden Hour (Christopher Wheeldon)

Optional Family: a divertissement (Kyle Abraham)

The Statement (Crystal Pite)

Solo Echo (Crystal Pite)

The Royal Ballet

Koen Kessels, Musikalische Leitung

Jay Gower Taylor, Bühnenbild

Jasper Conran, Kostüme

Peter Mumford, Licht

Ilaria Martello, Licht

Dan Scully, Licht

Crystal Pite, Kostüme

Joke Visser, Kostüme

Tom Visser, Licht

Covent Garden Orchester des Royal Opera House

Anna Rose O'Sullivan, Tanz

Vadim Muntagirov, Tanz

Francesca Hayward, Tanz

Valentino Zucchetti, Tanz

Yasmine Naghdi, Tanz

Ryoichi Hirano, Tanz

Leo Dixon, Tanz

David Yudes, Tanz

Cesar Corrales, Tanz

Natalia Osipova, Tanz

Marcelino Sambé, Tanz

Stanisław Węgrzyn, Tanz

Lukas B Brændsrød, Tanz

Harry Churches, Tanz

Isabella Gasparini, Tanz

Hannah Grennell, Tanz

Ashley Dean, Tanz

Kristen McNally, Tanz

Calvin Richardson, Tanz

Joseph Sissens, Tanz

Christopher Vanderspar, Cello

Robert Clark, Klavier

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Laurine Mortha, 6th October

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

***11

The Royal Ballet’s Like Water for Chocolate is sumptuous but complex

Amanda Jennings, 1st October

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

****1

Ballet Nights makes an impressive and unforgettable Scottish debut

Kathy Elgin, 4th July

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

****1

ABT in Wheeldon’s The Winter’s Tale: CliffsNotes Shakespeare

Ivy Lin, 2nd July

Christopher Wheeldon’s The Winter’s Tale is a sumptuous looking production but on this occasion, it didn’t come to life emotionally.

***11

Weitere Kritiken...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

The reawakening: 21st-Century Choreographers celebrated by The Royal Ballet