Great Aida debut for Christina Nilsson

Von Laura Servidei, 28 Februar 2018

Laden, bitte warten...

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“bright, clear and silverish: a thing of beauty”

Rezensierte Veranstaltung: Royal Swedish Opera, Stockholm, am 26 Februar 2018

Verdi, Aida

Royal Swedish Opera

Pier Giorgio Morandi, Musikalische Leitung

Michael Cavanagh, Regie

Magdalena Åberg, Bühnenbild

Katarina Dalayman, Amneris

Johan Edholm, Amonasro

Christina Nilsson, Aida

Ivan Defabiani, Radamès

Lennart Forsén, König von Ägypten

Karin Andersson, Priesterin

Royal Swedish Opera Chorus

Royal Swedish Orchestra

Löftet: eindringliche Oper über den Holocaust in Stockholm

Michael Klier, 27th January

Löftet verdient mit dieser Botschaft, seinen bezaubernden Arien und großartig mitreißender Musik ein internationales Publikum.

****1

Tosca mit Sicherheitsabstand in Stockholm

Isabella Steppan, 7th May

Nicht szenisch, aber auch nicht wirklich konzertant und mit durchwachsenen gesanglichen Leistungen wurde Puccinis Tosca an der Royal Swedish Opera gegeben.

**111

Stemme leads an explosive Jenůfa at Royal Swedish Opera

David Karlin, 25th October

Janáček’s drama of infanticide is delivered at full power by Nina Stemme and Agneta Eichenholz in Annilese Miskimmon’s well-crafted production. The orchestra, however, are just too loud.

****1

Overpowering Candide at Royal Swedish Opera

David Karlin, 25th October

Ole Anders Tandberg's edgy take on Bernstein's satirical operetta is lifted by some good performances but marred by an overpowering orchestra.

***11

A dark, brutal Don Giovanni in Stockholm

Laura Servidei, 28th March

The Royal Swedish Opera revives Tandberg’s 2014 production with a solid cast of Swedish singers.

***11

Swedish première of Szymanowski’s King Roger in Stockholm

Laura Servidei, 19th March

Elin Rombo shines in a co-production of King Roger with the Royal Swedish Opera and Teatr Wielki, in Warsaw

***11

Weitere Kritiken...

Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.

Great debut for Christina Nilsson as Aida in Stockholm