Verdi at full throttle: Attila returns to La Fenice

Von Mark Pullinger, 10 Dezember 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Roberto Tagliavini sang Attila with a rock solid bass and imposing presence”

Rezensierte Veranstaltung: Teatro La Fenice, Venedig, am 9 Dezember 2016

Verdi, Attila

Teatro La Fenice

Riccardo Frizza, Musikalische Leitung

Daniele Abbado, Regie

Gianni Carluccio, Bühnenbild

Daniela Cernigliaro, Kostüme

Roberto Tagliavini, Attila

Vittoria Yeo, Odabella

Julian Kim, Ezio

Stefan Pop, Foresto

Antonello Ceron, Uldino

Mattia Denti, Leone

Coro del Teatro La Fenice

Orchestra del Teatro La Fenice

La clemenza di Tito at La Fenice: splendid score, sterile stage

Laura Servidei, 23rd November

Ivor Bolton leads a great cast in a superb musical production of Mozart’s last masterpiece, in a lukewarm new production by Paul Curran.

****1

Vivaldi’s pasticcio Bajazet given an extravagant staging

Laura Servidei, 7th June

Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style.

****1

Orlando furioso: Vivaldi returns to Venice in a Baroque feast

Laura Servidei, 23rd September

Fabio Ceresa's spectacular production to the Teatro Malibran with a strong cast in the hands of Diego Fasolis.

****1

Un Ernani desacomplejado y gótico en Les Arts

Daniel Martínez Babiloni, 7th June

Les Arts concluyó la temporada con Ernani en una producción que concita tradición y modernidad, en torno a una lectura musical desprejuiciada y una versión basada en el drama gótico original.

***11

La Fenice closes season with a lively new Fille du regiment

Laura Servidei, 14th October

John Osborn dazzles again as Tonio in a nostalgic new production by Barbe and Doucet, with a strong cast under the baton of Stefano Ranzani.

***11

Full fathom five: Peter Grimes at La Fenice

Elena Luporini, 24th June

Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.

*****

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Verdi at full throttle: an exhilarating Attila returns to La Fenice