A musical journey spanning three centuries with The Hallé

Von Aaron Davies, 16 März 2018

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“the rich chorus of voices washing over the audience with crystal clarity and power”

Rezensierte Veranstaltung: The Bridgewater Hall, Manchester, am 15 März 2018

Bach, Cembalokonzert Nr. 1 in d-Moll, BWV1052

Mendelssohn Bartholdy, Da Israel aus Ägypten zog "Psalm 114", Op.51

Schostakowitsch, Symphonie Nr. 8 in c-Moll, Op.65

The Hallé

Sir Mark Elder, Musikalische Leitung

Charles Owen, Klavier

The Hallé Choir

The Hallé Youth Choir

Spieluhren und Saxophon, Gedichte und Gänse: The Hallé aus Manchester

Michael Klier, 14th January

Jonathan Bloxham dirigiert einen trostvollen Musikgenuss, der die Nachteile eines gestreamten Konzerts über lange Strecken vergessen ließ.

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Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

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Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

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Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

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Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

***11

Weitere Kritiken...

Aaron Davies

A lifelong aficionado of classical music in all its various guises, Aaron spent his formative years studying musical composition whilst playing a number of instruments. Today, his day job involves running an international technology business. He derives particular pleasure from expanding his “virtual” music library via the use of online streaming services. If pressed to compile a desert island disc, he would most likely select works from the catalogues of Beethoven, Schumann, Rachmaninov and Gershwin.