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“Blow, bugle, blow”: Evocative Britten from Mark Padmore and Katy Woolley

Von Mark Pullinger, 11 Mai 2015
Laden, bitte warten...
Veranstaltung anzeigen
“Matching Padmore every step of the way, Woolley’s playing was magnificent”
Rezensierte Veranstaltung: Royal Festival Hall, London, am 10 Mai 2015
Programm
Schubert, Symphonie Nr. 7 in h-Moll "Unvollendete", D.759
Britten, Serenade for tenor, horn and strings, song cycle, Op.31
Schostakowitsch, Symphonie Nr. 5 in d-Moll, Op.47
Darsteller
Mark Padmore, Tenor
Katy Woolley, Horn
Philharmonia Orchestra
Vasily Petrenko, Musikalische Leitung
Weitere Konzert Kritiken
Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie
Stefan Pillhofer, 1st October
Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.
***11
Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft
Sebastian Urmoneit, 24th April
Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.
*****
Benedetti ablaze with the Philharmonia
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As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.
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A Resurrection for the ages: Kent Nagano conducts the Philharmonia
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Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special. 
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A brilliant UK premiere of John Adams’ After the Fall
David Karlin, 25th February
The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.
****1
Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8
Dominic Lowe, 19th February
Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony. 
****1
Weitere Kritiken...
Kritiken von
Benjamin BrittenDmitrij SchostakowitschFranz SchubertKaty WoolleyMark PadmorePhilharmonia OrchestraSerenade for tenor, horn and strings, song cycle, Op.31Symphonie Nr. 5 in d-Moll, Op.47Symphonie Nr. 7 in h-Moll "Unvollendete", D.759Vasily Petrenko
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Mark Pullinger
Mark Pullinger
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.