RPO and Pinchas Zukerman deliver safe as houses repertoire

Von David Truslove, 27 April 2018

Laden, bitte warten...

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“Zukerman is as reliable as ever and can still deliver handsome tone and a bombproof technique”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 26 April 2018

Sibelius, Der Schan von Tionela, Op. 22 Nr. 2

Bruch, Violinkonzert Nr. 1 in g-Moll, Op.26

Elgar, Sospiri for string orchestra and harp, Op.70

Elgar, Enigma-Variationen für Orchester, Op.36

Pinchas Zukerman, Violine

Royal Philharmonic Orchestra

Amanda Forsyth, Cello

Menschliche Schönheit und Perfektion: das RPO zu Gast in München

Benedikt Zacher, 4th February

Das englische Orchester bietet mit seinem Chefdirigenten Vasily Petrenko und Julia Fischer einen „perfekten” Abend in der Isarphilharmonie.

*****

Revolutionär unorthodox: Vasily Petrenko mit dem RPO zu Gast in Köln

David Renke, 16th May

Vasily Petrenko, Anne-Sophie Mutter und das Royal Philharmonic Orchestra gastierte nin Köln mit Werken von Bernstein, Previn und Rachmaninow. Neben einem Spektakel der Klangfarben hallt das Konzert aber auch aus einem anderen Grund nach.

*****

Korngold and Mahler from Ray Chen, Vasily Petrenko and the RPO

Roy Westbrook, 12th May

Few violin concertos soar from the first bar as Erich Korngold’s does, especially as in Ray Chen's high-wire account at the Royal Albert Hall.

****1

Turangalîla underwhelms at the Southbank’s Multitudes festival

Roy Westbrook, 23rd April

Serious music ill-matched by filmic limitations as the Royal Philharmonic Orchestra tackles Messiaen’s epic “symphony” as part of the Southbank’s cross-genre festival.

**111

Edusei’s Beethoven and Rangwanasha’s Strauss thrill at Cadogan Hall

Christopher Woodley, 26th February

Kevin John Edusei, Masabane Cecilia Rangwanasha and the Royal Philharmonic Orchestra celebrate the joys of a life well-lived – rounded off to the sounds of larks ascending.

****1

Petrenko’s searing Shostakovich overshadows Grosvenor’s Beethoven

Nick Boston, 3rd February

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

****1

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David Truslove

After many years as a musician – conducting choirs, singing as a lay clerk at Winchester Cathedral and an involvement in education, David now writes programme notes, occasionally composes and enjoys a busy schedule of reviewing.