Manifest destiny and doom

Von Hilary Stroh, 01 Mai 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Computer-generated images between scenes represented the constant flux of evolutionary nature”

Rezensierte Veranstaltung: Kennedy Center: Opera House, Washington, am 30 April 2016

Wagner, Das Rheingold

Washington National Opera

Philippe Auguin, Musikalische Leitung

Francesca Zambello, Regie

Michael Yeargan, Bühnenbild

Catherine Zuber, Kostüme

Catherine Martin, Wellgunde

Jacqueline Echols, Woglinde

Renée Tatum, Flosshilde

Gordon Hawkins, Alberich

Elizabeth Bishop, Fricka

Alan Held, Wotan

Melody Moore, Freia

Julian Close, Fasolt

Soloman Howard, Fafner

Richard Cox, Froh

Ryan McKinny, Donner

William Burden, Loge

David Cangelosi, Mime

Lindsay Ammann, Erda

Washington National Opera Orchestra

Götterdämmerung weicht amerikanischer Morgenröte

Hilary Stroh, 6th May

Die Götterdämmerung schloss den Zyklus passend - und gänzlich amerikanisch - ab.

****1

Washington National Opera marches onward with a joyous Treemonisha

Sam Jacobson, 15th March

A vibrant new production of Scott Joplin’s Treemonisha at Washington National Opera underscores the opera’s enduring message of education, community and social justice.

****1

WNO's Samson et Dalila shows how sweet love's poison can sound

Sydney Boyd, 1st March

Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center.

****1

A #metoo Don Giovanni at Washington National Opera

Sydney Boyd, 29th February

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

****1

Washington National Opera's merry take on Mozart's Magic Flute

Sydney Boyd, 2nd November

Could The Magic Flute be the next Nutcracker? A child-friendly take on the classic in a mash-up of pyramids and petticoats.

***11

Russell Thomas shines in gloomy David Alden's Otello

Vishnu Bachani, 26th October

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

***11

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Manifest destiny and doom: Francesca Zambello’s All-American Ring