Debussy moulded by Melnikov at Wigmore Hall

Von Mark Pullinger, 06 April 2017

Laden, bitte warten...

Veranstaltung anzeigen

“a blank sheet of paper... with pastels, smudged and clouded by plenty of sustain pedal”

Rezensierte Veranstaltung: Wigmore Hall, London, am 5 April 2017

Debussy, Préludes: Book 1

Debussy, Préludes: Buch 2

Debussy, Children's Corner: The Little Shepherd

Alexander Melnikov, Klavier

Stimmakrobatin vs. Klavierlöwe: Claron McFadden und Alexander Melnikov

Michael Klier, 22nd December

McFaddens ergreifend schöne Melodieführung und Melnikovs schimmernde Klavierfarben machten den Konzertabend zu einem unvergesslichen Hörerlebnis.

*****

Auf dem Schoß der Zeit: Akamus und Melnikov mit J.C. Bach und Mozart

Jens Klier, 18th April

Ein Hammerklavier zeigt seine ganze Bandbreite inmitten eines spritzig-espritvollen Orchesters.

****1

Revolution im Konzertsaal: von Beethoven bis Mayke Nas

Michael Klier, 6th April

Die Niederländische Komponistin Mayke Nas erfindet neue Klänge, um unsere heutige Zeit mit musikalischen Mitteln zu beschreiben.

****1

Immer anders als man denkt: Currentzis' Klassik

Jens Klier, 21st April

Ob tänzelnder Rausch, titanischer Trotz oder Tempo: bei MusicAeternas aktuellen Tour waren Expressionserfahrungen und Überraschungen garantiert.

****1

Bach sheds light in an impressively dark outing from the ACO

Nick Boston, 21st March

Energetic commitment from the ACO at the Barbican, with precision and edge from Alexander Melnikov and Jeroen Berwaerts in an evening of darkness and light.

****1

Energetic Scottish Symphony lifts a weighty evening with the LPO

Nick Boston, 20th January

Ponomarchuk and the LPO raise the spirits in Felix Mendelssohn's Scottish Symphony after an underwhelming first half at the Brighton Dome.

***11

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.