Julian Lloyd Webber and the EU Chamber Orchestra at St George's, Bristol

Von Alexandra Hamilton-Ayres, 23 April 2012

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: St George's Bristol, Bristol, am 20 April 2012

Händel, Salomon, HWV 67: Einzug der Königin von Saba

Bach, Orchestersuite BWV1068: Air auf der G-Saite

Barber, Adagio für Streicher, Op.11a

Haydn, Cellokonzert Nr. 1 in C-Dur, Hob.VIIb:1

Julian Lloyd Webber, Cello

European Union Chamber Orchestra

Nicola Benedetti and the European Union Chamber Orchestra sparkle in Birmingham

Katherine Dixson, 9th December

What better antidote to the hustle and bustle of Christmas shopping than a sackful of festive concertos? With Birmingham’s famous German market in full swing right outside the Town Hall, inside was also packed with concertgoers of all ages eager to hear celebrated violinist Nicola Benedetti.

***11

An evening with Julian Lloyd Webber

Alexandra Hamilton-Ayres, 11th May

Having recently retired after a herniated disc weakened his bowing arm, Julian Lloyd Webber took to the stage last night at St George’s, Bristol as part of a tour he had created to tribute and reflect upon his performance career as one of the world’s leading cellists.

**111

Julian Lloyd Webber Pays Tribute to Cello Greats in Cornwall

Lucy Armstrong, 15th March

It is inevitable that one of the most beloved of orchestral instruments, the cello, will entice a diverse crowd of enthusiastic concertgoers – and that even in the midst of a recession, there prevails an inherent desire to depart from the self now and then for a ritualistic celebration of great music.

****1

A Delius Celebration at the Royal Festival Hall

Helen Fraser, 29th January

The history of British music reads rather like the old joke about buses: there was no composer of note in the two hundred years after Purcell, and then three came along at once. Whilst Elgar and Vaughan Williams have become household names, the third composer who came along at the end of the nineteenth century has been relegated to the dusty shelves of musical history.

***11

Auferweckt: Gardiners Oster-Bach beim Heidelberger Frühling

Jens Klier, 10th April

Die Jahrzehnte dauernde Rückkehr des Dirigenten nach Heidelberg avanciert zu einem ergreifenden, begeisternden Fest von Botschaft und Musik, mit dem er interpretatorisch weiter in fast eigener Liga spielt.

*****

Bachs Matthäus-Passion mit Herreweghe in Zürich

Thomas Schacher, 4th April

Chor und Orchester des Collegium Vocale Gent und ihr charismatischer Leiter Philippe Herreweghe, längst Legenden der historischen Aufführungspraxis, beweisen, dass die Doppelchörigkeit der Matthäus-Passion nicht nur ein Stereo-Phänomen ist.

****1

Weitere Kritiken...

Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.