Dumka and Furiant from the Puszta: Budapest Festival Orchestra

Von Alexander Hall, 30 November 2019

Laden, bitte warten...

Veranstaltung anzeigen

“Sometimes just a short musical phrase is enough to demonstrate the qualities of an ensemble”

Rezensierte Veranstaltung: Barbican Hall, London, am 29 November 2019

Dvořák, Legend no. 1 in D minor, Op.59 no.1

Dvořák, 4 Sbory (Choruses): Nepovím (I Do Not Say It), Op.29 no.3

Dvořák, Slavonic Dance no. 2 in E minor, Op.46 no.2

Beethoven, Klavierkonzert Nr. 4 in G-Dur, Op.58

Haydn, Die Beredsamkeit, Hob.XXVb:4

Dvořák, Symphonie Nr. 7 in d-Moll, Op.70

Budapest Festival Orchestra

Iván Fischer, Musikalische Leitung

Sir András Schiff, Klavier

Igor Levit und Budapest Festival Orchestra: ein Fest für Prokofjew

Sebastian Urmoneit, 24th March

Mit dem Dritten stand wohl das bekannteste Klavierkonzert Prokofjews im Mittelpunkt, eingerahmt von zwei glänzenden Orchesterstücken.

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Musikalische Ekstase auf Ungarisch

Sarah Schnoor, 26th March

Das Budapest Festival Orchestra bringt mit einem Bartók-Programm ungarische Klangfarben in die Elbphilharmonie.

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Die Allrounder – Budapest Festival Orchestra und Andras Schiff

David Renke, 28th November

Sowohl Beethovens zweites als auch drittes Klavierkonzert interpretierte der gebürtige Ungar András Schiff mit dem Budapest Festival Orchestra in der Münchner Philharmonie.

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Clarity and communion in Budapest Festival Orchestra’s Mahler 3

Michelle Assay, 12th February

On the final leg of their North American tour, the Budapest Festival Orchestra’s Mahler proves a a transformative experience within the intimate setting of Toronto’s Koerner Hall.

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Budapest Festival Orchestra plays – and sings – at Carnegie Hall

Susan Stempleski, 6th February

Joined by violinist Maxim Vengerov, the Hungarian orchestra, under Music Director Iván Fischer, is in top form in a program of three highly contrasting pieces.

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Budapest Festival Orchestra at the Elbphilharmonie

Mengguang Huang, 11th November

Iván Fischer and Alina Ibragimova transform familiar works into a vivid experience. From Beethoven’s Violin Concerto to Strauss’ Josephs Legende, the orchestra dazzles with colour, energy and cinematic intensity.

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Weitere Kritiken...

Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Dumka and Furiant from the Puszta: the Budapest Festival Orchestra back in town