Hannigan in focus: Neoclassicism at the Barbican Hall

Von George Slater-Walker, 08 Mai 2015

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Barbican Hall, London, am 6 Mai 2015

Mozart, Idomeneo, rè di Creta, KV366: Ouvertüre

Strawinsky, The Rake's Progress: No word from Tom... I go to him

Haydn, Symphonie Nr. 49 in f-Moll "La Passione", Hob.I:49

Mozart, La clemenza di Tito, KV621: Ouvertüre

Mozart, Scena for Soprano, "Bella mia fiamma", K528

Strawinsky, Pulcinella-Suite

Barbara Hannigan, Sopran

Britten Sinfonia

Eine rasante Achterbahnfahrt durch musikalische Stile mit Thomas Adès

Michael Klier, 26th May

Mit Steven Isserlis und Nicolas Hodges zeigt die Britten Sinfonia in Amsterdam ein modernes und leichtfüßiges Konzertprogramm.

****1

At Aldeburgh Festival, Nicholas Daniel plays the Pied Piper of Cool

Christopher Woodley, 13th June

For the Aldeburgh Festival's 75th anniversary celebrations, Daniel delivered a great performance of Vaughan Williams's Oboe Concerto, in the company of Gustav and Imogen Holst.

****1

Britten Sinfonia ablaze on the BBC Proms’ hottest night

Nick Boston, 6th September

Inventiveness, joyful performance and intuitive communication from Thomas Gould and the Britten Sinfonia in recompositions from Richter, Auerbach and Tippett.

*****

Donizetti's L’esule di Roma: a Roman triumph for Opera Rara

Dominic Lowe, 11th May

This is the 27th Donizetti opera given the Opera Rara treatment and their ability to spot a hidden gem remains as adroit as ever.

****1

Love and death in Scotland: Mercadante’s Il proscritto

David Karlin, 28th June

A great orchestral performance of an exciting score don't quite mask the dramatic weaknesses of Opera Rara's latest.

***11

Holst's Sāvitri: near-death experience in the Barbican

Roy Westbrook, 4th May

A game of three halves from the Britten Sinfonia, with a late appearance by three star soloists.

****1

Weitere Kritiken...

George Slater-Walker

George recently graduated with a BA in Music at Magdalen College Oxford and is now pursuing the life of a horn player in London and elsewhere. His particular interest lies in fin-de-siècle Austro-German music and art.

Barbara Hannigan in focus: Neoclassicism at the Barbican Hall