Dutch Masters: The welcome return of Introdans to London

Von Graham Watts, 18 März 2019

Laden, bitte warten...

Veranstaltung anzeigen

“an overdue and welcome return”

Rezensierte Veranstaltung: Royal Opera House: Linbury Theatre, London, am 15 März 2019

Polish Pieces (Hans van Manen)

Andante (Hans van Manen)

Lieder eines fahrenden Gesellen (Jiří Kylián)

Cantus (Nils Christe)

Introdans

Shooting Stars der Niederländischen Junior Company

Michael Klier, 25th May

Die Junior Company des Nationalen Balletts der Niederlande versprüht Lebensfreude in fünf modernen Choreographien.

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Triumphe mit Ludwig van: Beethoven-Ballette am Stuttgarter Ballett

Rainer Zerbst, 1st April

Eine Uraufführung von Mauro Bigonzetti und zwei Klassiker von Hans van Manen als würdige Beethoven-Hommage in Stuttgart.

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Menschliche Ästhetik: Hans van Manen Variations am DNB

Rainer Zerbst, 27th February

Der Abend verdeutlicht, was Hans van Manen auszeichnet: ungeheure Musikalität und Konzentration auf das Wesentliche.

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Response I: Stuttgarter Ballett trotzt Corona

Rainer Zerbst, 26th July

Mit drei Uraufführungen zeigt dieser Abend, dass die Herausforderung zu Reaktionen zwingt und Neues hervorbringen kann.

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Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

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NBJ's Ballet Coffret is a feast of modern classics

Naomi Mori, 5th February

National Ballet of Japan's Ballet Coffret showcased the versatility of the company with modern classical works including Dawson's A Million Kisses to my Skin, van Manen's 5 Tangos and Balanchine's Theme and Variations.

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Weitere Kritiken...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.