Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Górecki

La Compagnie La Tempête et son fondateur Simon-Pierre Bestion proposent un spectacle immersif, dans la musique de Bach et ses échos chez les compositeurs minimalistes.

Anna Tsygankova is clearly enjoying her part in Forsythe's Pas/Parts 2018, an exposé of the vocabulary of modern ballet.

A mixed bill of modern work showcases the diverse talents of The Royal Ballet.

A seamless aesthetic of elegant and fluid dance, impressive musicality and impactful design 

Elizabeth Atherton sang with a keening intensity, and gave a voice to every grieving mother and child.

The highlight of a week-long musical project of the Szczecin Philharmonic entitled We are at home, a celebratory performance of Górecki's Symphony No. 3 by Szczecin Philharmonic Orchestra under the baton of Wojciech Michniewski.

The complex world of Górecki, Bacewicz and Cytż is contrasted with Dvořák and Chopin as The Scottish Ensemble embarked upon an Eastern European journey with guest director Bartosz Woroch.

A world premiere that gives yet more credence to the burgeoning reputation of Crystal Pite for creating absorbing mass movement of considerable beauty 

Nesterowicz and the NSO deliver a stunning Shostakovich Symphony 10 while Vähälä captivates with the magical delights of Vasks' Distant Lights.

Polish composer Grażyna Bacewicz’s seven minute Divertimento proves the most emotionally potent in a concert at the Baltic Sea Festival also featuring works by Shostakovich and Górecki.

Phoenix Dance Theatre is an intriguing mix of international and, at the same time, Leeds-based contemporary dance company. It's triple bill at the Linbury Studio proved worthwhile. 

On this Montréal concert, visiting conductor Cristian Măcelaru presented Copland’s Fanfare for the Common Man and Gorecki’s Symphony of Sorrowful Songs to mark the 70th anniversary of World War II

The Holst Singers perform a rich programme of Russian music at Temple Church.

L’impressionnante Quatrième Symphonie de Górecki se sera fait attendre. L’oeuvre fut achevée en 2006, mais il a fallu que ses enfants retrouvent une esquisse complète de partition des années plus tard pour qu’elle prenne vie, puisqu’à sa mort en 2010, le compositeur ne la jugeait pas encore prête.

Southbank Centre's The Rest is Noise festival continued its focus on politics and spirituality with Henryck Górecki's popular Third Symphony, coupled with Krzysztof Penderecki's lesser-known Violin Concerto – but it was the latter work which fared better.

For years now, Henryk Górecki’s Third Symphony has been at the head of my bucket list of works to hear in concert – and this Prom with the BBC Symphony Orchestra and conductor Osmo Vänskä gave me the chance.

Choral concerts often have programmes that read like compilation CDs. I don’t mean this negatively: there are countless reasons why a greater number of contrasting pieces is required – timbral, textual, temporal, contextual, historical, and so on.

A very striking wild-eyed hirsute man has been staring out at us across Scotland on posters for this concert tour, showing that the Scottish Ensemble has adapted well to the modern world of promotion, using titles, straplines and imagination. On the face of things, the choice of eight seemingly very disconnected pieces in the programme, from 1700 to the present day, was disconcerting.

St Giles’ Cathedral, at the top of Edinburgh’s Royal Mile, boasts a wonderful acoustic. From the chancel of this magnificent building a string quartet, drawn from the Red Note Ensemble’s flexible and varied forces, presented a late-evening, candlelit programme of meditative music entitled, Hymn of Thanks (Transcendence).

This concert by Poland’s national orchestra, the Warsaw Philharmonic, attracted a near-capacity audience which had in it a fair sprinkling of members of the local Polish community, judging from overheard conversations and some shouts of “Jeszcze raz!” (“More!”) at the end.

Simplicity is beautiful. The one year anniversary of Polish composer Henryk Mikolaj Górecki’s death could not have been greeted with more of a celebration of his life than through the Polish Radio Choir’s UK tour of his choral works.

On Tuesday night at Cadogan Hall near Sloane Square the audience was treated to an expertly mastered programme of 20th century Polish music by Górecki, Lutoslawski and Szymanovski as well as the Overture, St. Francis of Assisi by Sir Peter Maxwell Davies. The latter had its London premiere that night.