Prom 52: Gardner chisels out the bigger picture in Sibelius 2

Von Mark Pullinger, 22 August 2018

Laden, bitte warten...

Veranstaltung anzeigen

“a doleful bassoon growled, the horns' granite snarls chilled”

Rezensierte Veranstaltung: Royal Albert Hall, London, am 21 August 2018

Wagner, Der fliegende Holländer: Ouvertüre

Wallin, Whirld (world première)

Sibelius, Symphonie Nr. 2 in D-Dur, Op.43

Grieg, Peer Gynt: Åse's Death

Grieg, Lyric Pieces: March of the trolls, Op.54 no.3

Alina Ibragimova, Violine

Bergen Philharmonic Orchestra

Edward Gardner, Musikalische Leitung

Brahms und Britten beim Bergen Philharmonic Orchestra

Michael Vieth, 12th February

Edward Gardner und Mari Eriksmoen verzauberten mit spätromantischen Pretiosen beim „Wintermezzo”-Konzert aus Norwegen.

*****

Ein grandioser Peter Grimes in Bergen

Mark Valencia, 30th May

Dieser Peter Grimes war die Geschichte zweier Talente: der Dirigent und der Sänger.

*****

Fulminante Visitenkarte der Bergener Philharmoniker

David Renke, 18th November

Die Bergener Philharmoniker und ihr Chefdirigent Edward Gardener überraschen in München mit einem interessanten Programm, das von Wagner über Elgar bis Berlioz reicht.

****1

Echo of a silent scream: Asle and Alida premieres in Bergen

Christopher Woodley, 29th March

Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.

***11

Rachmaninov to remember from the Bergen Philharmonic in Antwerp

Marc Haegeman, 16th February

Víkingur Ólafsson's appearance may have been most anticipated, but it is Rachmaninov's Symphonic Dances that impresses most as the Bergen Philharmonic Orchestra and Edward Gardner make a welcome return to Antwerp.

***11

Salome stoked to red heat by Byström and the Bergen Philharmonic

David Smythe, 14th August

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome.

*****

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.