Mitreißender Spannungsbogen bei Lutosławskis Dritter Symphonie mit dem Radio Filharmonisch Orkest unter Edward Gardner und auch Jean-Efflam Bavouzet glänzte in Bartóks Erstem Klavierkonzert.
Die Bergener Philharmoniker und ihr Chefdirigent Edward Gardener überraschen in München mit einem interessanten Programm, das von Wagner über Elgar bis Berlioz reicht.
Die ENO war in der letzten Woche aus den falschen Gründen in den Nachrichten und Richard Jones' Meistersinger von Nürnberg musste dringend eine großartie Produktion werden. Mit einer glänzenden Vorstellung von Iain Paterson ist sie das.
Tired of looking at the same wallpaper all the time? The London Philharmonic and their conductor Edward Gardner, together with soloist Stephen Hough, offer one way to see (part of) the world.
Edward Gardner clearly has a thing for the Czechs. A month after he made his Royal Opera main-stage debut with Janáček's Katya Kabanova, here he was with the Filarmonica della Scala to conduct a strongly Czech programme.
Amanda Majeski is magnificent in the title role; Ed Gardner shows total master of Janáček's music. But that's not enough to rescue a poorly thought out Richard Jones production.
Bergen Philharmonic’s programme of Grieg’s Piano Concerto and Gubaidulina’s violin concerto Offertorium offered fascinating insight into the relationship between orchestra and soloist.
Berlioz’s gargantuan Grande Messe des morts with the Bergen Philharmonic and Edward Gardner opened the Bergen International Festival with deafening climaxes and even more resounding silence.
Stuart Skelton’s visceral Peter Grimes is matched by a strong cast with thrilling playing and singing from the Bergen Philharmonic Orchestra under Edward Gardner.
Mass hysteria, Schiller’s Ode to Joy and Wild Nights – a heady mix for this year’s opening night of the BBC Proms from Edward Gardner and the BBC Symphony Orchestra.
In April, Peter Mattei and Anna Netrebko were starring together in Eugene Onegin at the Metropolitan Opera. Less than a month later and they are reunited in Paris in Willy Decker's staging.
Despite the burbling streams with which Smetana's Vltava trickles into life, this was no pastoral stroll on the gentle slopes of Bohemia, Hungary and Poland.
Une bien belle soirée qui offrit au public « The Infant Minstrel and His Peculiar Menagerie » plein de malice et de jeunes talents vocaux, un Vadim Gluzman Royal et un Orchestre de la Suisse Romande rutilant sous la baguette inspirante d’Edward Gardner.
Laughter is indeed the best medicine. As we try and make sense of the continuing political fallout post EU referendum, the CBSO offered the perfect prescription in the ample form of Verdi's Falstaff.
Gardner and the Philharmonia immerse themselves in the complex emotional journey of Elgar's Second Symphony, whilst the brilliant Martin Helmchen excels in an illuminating performance of Beethoven's Second Piano Concerto.
With clear direction and well-executed hits (such as the lush trio from the end of the third act), the show will appeal to those with nostalgia for the production and wish to escape the biting cold with the sound of strings warmed by horns.
David Alden’s muddled clichés failed to convince all the time, but Edward Gardner steered us through a thrilling musical account of Tchaikovsky’s terrific opera.
Edward Gardner and Edward Caswell offered the British choir tradition in the form of Elgar's The Kingdom as a refreshingly programmed alternative to the many Bach passions. The combined choirs excelled together with an impressive Edith Haller.
A promising programme of works was overshadowed by some incoherent playing but also moments of promise to stoke excitement for Gardner's forthcoming tenure at the Bergen Philharmonic.
For a folklore enthusiast like yours truly, the CBSO’s matinee last Saturday seemed the perfect recipe: take some Liszt, a generous amount of Bartók and a pinch of Brahms, then add to the excellent musicians for a delectable musical experience.
“Beware, my Lord, of jealousy” warns Iago, planting the seed of doubt in Otello’s mind. Beware, too, the dangers of preconceptions. Keen anticipation of this new production of Verdi’s Otello was tempered by the prospect of David Alden as director.
