Chillingly dark Ravel from the Philharmonia

Von Katy Wright, 14 Februar 2015

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Veranstaltung anzeigen

“Sabine Devieilhe... her frothy coloratura passagework was flawless”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 12 Februar 2015

Dutilleux, Correspondances

Ravel, Klavierkonzert in G-Dur

Ravel, L'Enfant et les sortilèges

Philharmonia Orchestra

Esa-Pekka Salonen, Musikalische Leitung

Dame Mitsuko Uchida, Klavier

Barbara Hannigan, Sopran

Chloé Briot, Sopran

Elodie Méchain, Mezzosopran

Andrea Hill, Mezzosopran

Omo Bello, Sopran

Sabine Devieilhe, Sopran

François Piolino, Tenor

Nicolas Courjal, Bass

Jean-Sébastien Bou, Bariton

Philharmonia Voices

Irina Brown, Direktor

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

Classical grace and Romantic eloquence from the Philharmonia

Christopher Woodley, 7th May

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.

****1

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Weitere Kritiken...

Katy Wright

As News Editor at Rhinegold, Katy contributes news pieces and longer features to publications including Classical Music, Music Teacher and International Piano (both digital and print editions). She writes on a freelance basis for publications including Sinfini Music and TEMPO.

L'enfant et les sortilèges: Chillingly dark Ravel from Salonen and the Philharmonia