Santtu, Dupree and the Philharmonia have fun with Kapustin

Von Roy Westbrook, 08 März 2024

Laden, bitte warten...

Veranstaltung anzeigen

“the final fandango was a riot of Iberian colour”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 7 März 2024

Glinka, Spanish Overture no. 1, "Capriccio brillante on the Jota Aragonese"

Kapustin, Klavierkonzert Nr.5, Op.72

Borodin, Sinfonie Nr. 2 h-Moll

Rimsky-Korsakow, Capriccio Espagnol (Capriccio auf Themen aus Spanien), Op. 34

Santtu-Matias Rouvali, Musikalische Leitung

Frank Dupree, Klavier

Philharmonia Orchestra

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

Classical grace and Romantic eloquence from the Philharmonia

Christopher Woodley, 7th May

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.

****1

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Weitere Kritiken...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Santtu, Dupree and the Philharmonia have fun with Kapustin and the Russians