Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Borodin

Orientalische Sujets spielen in der Musikgeschichte schon seit dem Barock eine Rolle. Die Münchner Symphoniker präsentierten die Orientbegeisterung der Komponisten in einem spannenden Programm im Münchner Brunnenhof.

Mangelde Kooperation des Solisten und ein Orchester, das an seine Grenzen stößt, lassen hoffen, dass diese Aufführung die am folgenden Tag in Genf vorbereiten half.

Obwohl Sebastian Holecek als Titelheld beeindruckte, blieb Alexander Borodins Oper in einer eindimensionalen Inszenierung mit durchwachsener musikalischer Umsetzung insgesamt blass.

Die Interpretationen des Quatuor Sine Nomine waren in sich musikalisch geschlossen, überzeugend, dabei nie mit kalter Perfektion präsentiert oder auf Hochglanz getrimmt: ein begeisternder Quartett-Abend!

Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

Shelley and the RPO make sense of Shostakovich with lush Glazunov, tight Borodin and dazzling Prokofiev with Kian Soltani.

An ambitious programme demonstrated the musical passions and prowess of this most sought-after pianist, holding the Halloween audience in his devilish spell.

Nul ne peut rester indifférent face à une telle imagination musicale. Retour sur le récital marquant du pianiste russe Daniil Trifonov à la Philharmonie dans un magnifique programme réunissant Scriabine, Beethoven, Borodine et Prokofiev. 

Opening their season with an all-Russian programme, Royal Northern Sinfonia ventured beyond the standard chamber orchestra repertoire, with patchy results.

The BBC NOW gave us two hearty Russian works and celebrated the lunar landing with a world premiere of Huw Watkins' The Moon.

Elisabeth Leonskaja revient à la Philharmonie pour le Concerto n° 4 de Beethoven avec l'Orchestre du Capitole. Sous la direction de Tugan Sokhiev, les musiciens toulousains s'aventurent en terres russes avec Borodine et Moussorgski.

A potentially stimulating mix of full-bloodied Russian orchestral writing not fully realised by the RPO and Alpesh Chauhan, but with a promising concerto debut by Diana Adamyan.

De très belles nuances, un son chaud, et surtout une interprétation réfléchie : dirigé par Tugan Sokhiev, le Bolchoï sublime Rachmaninov et Borodine à la Philharmonie.

Some rousing singing from the RTÉ Philharmonic Choir of the famous choruses from the great operas. 

La salle Poirel se délecte du Concerto pour clarinette de Mozart interprété par Raphaël Sévère. Des œuvres symphoniques de Smetana et Borodine bénéficient de la direction fougueuse d’Alpesh Chauhan.

Tugan Sokhiev's debut with the New York Philharmonic was not an unqualified success. 

Le duo Ludmila Berlinskaia – Arthur Ancelle a proposé un fastueux programme de compositions et d'arrangements pour deux pianos au festival Liszt en Provence.

The Royal Northern Sinfonia and Olli Mustonen push Shostakovich to the brink of insanity, and suprise with Mozart's 'Coronation' Concerto.

Schubert’s String Quintet was certainly a crowd-puller at this concert, as Kings Place's Cello Unwrapped series continues. 

Ravel and Prokofiev offer divergent views on the piano left-hand concerto, but fine performances ensure satisfying contrast.

Intended to signify the contribution of Russian music to the Western canon, the Royal Choral Society gave admirable performances of two major choral works, rarely heard in Winchester Cathedral.

À tous les mélomanes qui se plaignent de toujours entendre les mêmes œuvres poncives en récital, il faudrait souffler très fort : Florian Noack. Car avec quelle joie gourmande on a écouté vendredi dernier le jeune pianiste belge dans ses propres transcriptions ! 

The hometown Orquesta Filarmónica de Bogotá (OFB) proves big-league as they launch the Teatro Mayor Julio Mario Santo Domingo's Bogotá es la Rusia Romántica.

Recitals of Russian song don't have to be suffocated with doom and gloom. Neither do they have to be built upon the works of Tchaikovsky and Rachmaninov.

Tcherniakov's moving production delves into the psychological rather than revelling in the spectacular. 

L’Orchestre Métropolitain, son chœur affilié et trois chanteurs solistes livraient dimanche dernier un concert intitulé « Yannick Nézet-Séguin et l’âme russe », sous la baguette du chef éponyme. Si l’on tient compte de la flamboyance du jeu, de la clarté des tableaux, du chatoiement des couleurs orchestrales, ce n’est pas l’âme russe qui a été révélée cet après-midi-là, mais bien plutôt celle du chef d’orchestre.

Warhorse (noun): creaky old classic played by orchestras in their sleep at least once a season.  There was absolutely no snoozing, however, through Alice Sara Ott's startling performance with the Philharmonia.

The touring Tchaikovsky Symphony Orchestra brings a 'Finnish Sandwich' to Leeds.

Charles Dutoit, still sporting his trademark slick of black hair and a 79-year-old whirlwind of francophone charisma, clearly brings this band's playing to a new level, especially when the repertoire happens to be French and Russian music of the 20th century.

The 2016 Proms come to a riotous close at the Royal Albert Hall.

As Birmingham-born Alpesh Chauhan builds his reputation towards becoming a conductor much in demand, so the CBSO finds itself in the fortunate position of securing the services of Mirga Gražytė-Tyla as Andris Nelsons’ successor as Music Director, with a chance to grow Chauhan as Assistant Conductor.

La OFCM nos ofreció un interesante programa de grandes orquestadores: Tchaikovsky, Borodin, Ravel y Mahler.

On day release from the Covent Garden pit for their annual evening in the limelight, the ROH Orchestra took a quick spin through works by Russia's Mighty Handful. 

To celebrate its 50th birthday Dutch National Opera put on a festive tribute to the people that have made it the innovative and much-admired house it is today.

In a quirky programme featuring English, Welsh and Russian music the BBC National Orchestra and Chorus of Wales began their new season at St David’s Hall showcasing, with mixed results, their composer-in-association Huw Watkins, Elgar and three Russian composers at different stages in their careers.

A double bill at the Birgitta Festival staged Scheherazade and the Polovtsian Dances, both performed in costumes and on sets based on the original designs dating from around 1910.

In the third concert presentation of Mussorgsky's Boris Godunov in London this season, the Philharmonia's semi-staged attempt, conducted by Jakub Hrůša, was admirable. 

The Borodin Quartet put on a showcase display of pure, rich tone and superbly unanimous playing at Sage Gateshead but their Shostakovich lacked bite.

A virtuosic performance from Nemanja Radulović of Paganini was the highlight of Fabien Gabel's concert with the Orchestre national d'Île-de-France.

Troisième gala d’ouverture de la Philharmonie de Paris : les masses éclatantes de Borodine, Tchaïkovski et Stravinsky livrent un nouvel aspect de l'acoustique de la salle — chatoyant bien que parfois déséquilibré.

As the December nights darken and the winter's first snowflakes fall from the sky, the Scottish Ensemble's candlelight concerts provice a welcome space for reflection at this busy time of year.

Miloš Karadaglić plays his debut at Colston Hall with Brussels Philharmonic under Michel Tabachnik. 

Spirited performances from the Bournemouth Symphony, conducted by Julian Kuerti, in a trio of Russian classics. 

Tokyo Komaki Ballet, a company intricatelly tied  to the Ballet Russes, performed three of its works, Afternoon of a Faun, Prince Igor and Petrushka. 

There’s a touch of Borodin bus syndrome around at the moment; you wait years for a production of Prince Igor, then two come along in succession. The first was from the Metropolitan Opera, directed by Dmitri Tcherniakov, swiftly followed by the Novaya Opera which brings its production from Moscow to London as part of the UK—Russia Year of Culture.

Even the best opera glasses would be no match for the intensity of this close-up introspection: a new production of Borodin's Prince Igor is playing at the Met.

One hundred years after the première performance of Stravinsky’s ballet The Rite of Spring, perhaps one of the most controversial and infamous stage premières of all time, the BBC Symphony Orchestra and the Barbican Centre’s Total Immersion collaboration provided an all-round look at every aspect of the music, choreography and the première itself through a variety of events on Sunday, culminating

Although it was probably arranged via a series of emails between managers, the audience at Prom 41 could have been forgiven for thinking that this was a match made in heaven.

Prom 30 saw the return of the BBC Philharmonic Orchestra under its Conductor Laureate Gianandrea Noseda with a Russian-themed programme. Prokofiev, Borodin and Tchaikovsky were played alongside Edward Cowie’s BBC commission and world première Earth Music I – The Great Barrier Reef.The Borodin overture and Polovtsian dances from Prince Igor served as an energy-injection to the start of the evening.