Flame writing to wild dancing with The Philadelphia Orchestra

Von Hilary Stroh, 23 April 2018

Laden, bitte warten...

Veranstaltung anzeigen

“the wavering, hesitant opening lines – so indicative of the powerlessness of dying”

Rezensierte Veranstaltung: Kimmel Center: Marian Anderson Hall, Philadelphia, am 19 April 2018

Connesson, Flammenschrift

Prokofjew, Violinkonzert Nr. 1 in D-Dur, Op.19

Strauss R., Tod und Verklärung, Op. 24

Ravel, La Valse

Vadim Repin, Violine

The Philadelphia Orchestra

Stéphane Denève, Musikalische Leitung

Entdeckungsreise Florence Price mit Nézet-Séguin beim Musikfest Berlin

Christoph Wurzel, 1st September

Zwei starke Frauen der Musik traten beim Musikfest Berlin im Konzert des Philadelphia Orchestra hervor: als Solistin Lisa Batiashvili und als Komponistin Florence Price.

*****

Marsalis und Gonzalez-Granados: Traumpaar auf dem Konzertbildschirm

Michael Klier, 12th November

Der ungekrönte Star des Abends war Branford Marsalis, der träumerisch mit Glasunows sehnsuchtsvollen Melodien verzzauberte.

****1

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Energy, precision and drama from the Philadelphia Orchestra

Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

****1

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

****1

When we dead awaken: Mahler 2 returns to Philadelphia

Cameron Kelsall, 8th March

Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.

*****

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Flame writing to wild dancing: Stéphane Denève and The Philadelphia Orchestra