Yoncheva rocks Liverpool with rare Martucci

Sonya Yoncheva, Domingo Hindoyan and the RLPO

Von Mark Pullinger, 15 Mai 2022

Laden, bitte warten...

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“Yoncheva looked every inch the Greek goddess and there was a noble serenity about her performance”

Rezensierte Veranstaltung: Philharmonic Hall, Liverpool, am 15 Mai 2022

Verdi, Luisa Miller: Ouvertüre

Martucci, La Canzone dei Ricordi

Schumann, Symphonie Nr. 2 in C-Dur, Op.61

Domingo Hindoyan, Musikalische Leitung

Sonya Yoncheva, Sopran

Royal Liverpool Philharmonic Orchestra

Dependable Mozart and Mendelssohn from the RLPO

Glyn Mon Hughes, 16th April

Aurel Dawidziuk and the Royal Liverpool Philharmonic Orchestra explore darkness and light, although the drama does not always bringing the audience to the edge of its collective seat.

***11

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Domingo Hindoyan's warm Bruckner 6 beguiles Liverpool

Peter Connors, 5th February

Schubert and Saint-Saëns provide an elegant first half before a change of tone and pace with Bruckner's Sixth Symphony.

****1

Sidorova mesmerises Liverpool with Tabakova’s Accordion Concerto

Glyn Mon Hughes, 22nd January

An unusual evening of orchestral virtuosity and an ear-opening adventure with the Royal Liverpool Philharmonic Orchestra under Andris Poga.

****1

Lozakovich, Foster and the RLPO: glorious Bruch and Tchaikovsky

Peter Connors, 4th December

Daniel Lozakovich captivated the audience in Liverpool with his Bruch; Lawrence Foster conducted the RLPO in superb performances of less familiar Liszt and Tchaikovsky.

*****

Hindoyan and Hough bring a new dream team to Liverpool

Glyn Mon Hughes, 27th November

Rachmaninov’s First Piano Concerto comes alive as Stephen Hough joins Domingo Hindoyan and the RLPO in an explosive performance of this dramatic work.

*****

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.