Strong cast brings fizz to Glyndebourne's Zauberflöte revival

Rodion Pogossov (Papageno)

James Platt (Sarastro)

Leia Lensing, Corinna Scheurle and Ann Toomey (Three Ladies)

Alina Wunderlin (Queen of the Night) and Lauren Snouffer (Pamina)

Puppeteers

Von Nick Boston, 19 Mai 2024

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“Rodion Pogossov delivering the comedy just the right side of pure slapstick”

Rezensierte Veranstaltung: Glyndebourne Opera House, Glyndebourne, am 18 Mai 2024

Mozart, Die Zauberflöte

Glyndebourne Festival Opera

Constantin Trinks, Musikalische Leitung

André Barbe, Regie, Bühnenbild, Kostüme

Guy Simard, Licht

Orchestra of the Age of Enlightenment

The Glyndebourne Chorus

Renaud Doucet, Regie, Bühnenbild, Kostüme

Donna Stirrup, Wiederaufnahmeleitung

Paul Appleby, Tamino

Lauren Snouffer, Pamina

Alina Wunderlin, Königin der Nacht

Rodion Pogossov, Papageno

James Platt, Sarastro

Ann Toomey, Erste Dame

Corinna Scheurle, Zweite Dame

Leia Lensing, Dritte Dame

Alasdair Elliott, Monostatos

Michael Kraus, Sprecher

John Findon, Erster Geharnischter, Zweiter Priester

Callum Thorpe, Zweiter Geharnischter, Erster Priester

Patrick Martel, Puppet Designer and Puppet Coach

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

Weitere Kritiken...

Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Strong cast brings fizz to Glyndebourne's colourful Zauberflöte revival