Mahan Esfahani's Prague tribute to Zuzana Růžičková

Von Frank Kuznik, 16 Januar 2018

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Veranstaltung anzeigen

“a virtuoso performance, with blazing fingerwork and powerful emotion”

Rezensierte Veranstaltung: Maisel Synagogue, Prague, am 14 Januar 2018

Bach, Sonate a-Moll, BWV965

Saariaho, Le jardin secret II, for harpsichord and tape

Kalabis, Dialogues, für Cello und Cembalo

Bach, Englische Suite Nr. 3 in g-Moll, BWV808

Mahan Esfahani, Cembalo

Tomáš Jamník, Cello

Im Himmel süßer Koloraturen: Anna Bonitatibus mit Händel in Halle

Michael Vieth, 8th June

Il Maestro e Margherita: eine Reihe geistlicher Kantaten hatte der junge Händel in Rom für seine Lieblingssängerin Margherita geschrieben.

*****

Besuch der Bach-Söhne beim Orchestra La Scintilla in Zürich

Jens Klier, 19th December

Über ein Konzert von W. F. Bach 1774 gibt es zu lesen: „Alles was die Empfindung berauscht, Neuheit der Gedanken, frappante Ausweichungen, dissonierende Sätze...“. Bei La Scintilla und Minasi galt selbiges.

****1

Andrew Manze excels in Sibelius and Mozart

Leighton Jones, 23rd March

Bookending a new harpsichord concerto from Gavin Bryars for the renowned virtuoso Mahan Esfahani, two underrated symphonies are given highly commendable performances in Liverpool.

****1

Mahan Esfahani performs the Goldberg Variations in Philadelphia

Cameron Kelsall, 23rd February

The harpsichordist brought a highly personal, deeply engrossing interpretation that invited the listener to consider this familiar work anew.

*****

Music by non-dead people: Manchester Collective at the Proms

David Karlin, 17th August

Six pieces, all of them different, all of them new to the Proms, most by living composers, and all played superbly. A great contemporary music Prom.

****1

Mahan Esfahani and Sarah Connolly at Wigmore Hall

David Karlin, 14th June

A varied programme of harpsichord pieces interleaves with songs from Shakespeare and the following century.

***11

Weitere Kritiken...

Frank Kuznik

Frank Kuznik is the former Editor-in-Chief and Culture Editor of The Prague Post, Central Europe’s premier English-language weekly newspaper. He currently divides his time between Prague and his hometown in the US, Cleveland, where he covers northeast Ohio's dynamic classical music scene. In Prague he is an habitué of the Rudolfinum, National Theater, State Opera and other storied classical music venues, and an unabashed fan of Czech music.

Bach's Eternal Palace: Mahan Esfahani's Prague tribute to Zuzana Růžičková