Live, Video: Find classical music concert, opera, ballet and dance reviews | Leonidas Kavakos

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations. 

Has Shostakovich become the new Rachmaninov in Singapore? The SSO and Hannu Lintu show that he can be as popular as Rachmaninov. 

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert. 

Leonidas Kavakos joins the Royal Concertgebouw Orchestra for an evening of Hollywood glamour and lush Romantacism. 

In Myung-whun Chung’s first concert as the orchestra’s tenth Music Director, Leonidas Kavakos’ account of Tchaikovsky’s Violin Concerto is built on exposure rather than varnish. 

With Andris Nelsons heading off to European festival commitments, the Boston Symphony continues its Tanglewood season with a series of guest conductors. 

In their duo debut at Carnegie Hall, violinist and pianist offered a dialogue of many contrasts.

Herbert Blomstedt returns to the Philharmonia for Mahler's great symphony of farewell. 

Yo-Yo Ma, Emmanuel Ax and Leonidas Kavakos hold a sold-out Royal Albert Hall to rapt attention for some astonishing chamber music. 

Three leading performers join forces for a Beethoven program in Cleveland, all cultivating the highest level of playing from their respective instrument, but the whole is greater than the sum of its parts.

The pianist enchants the audience with Mozart's Piano Concerto no. 20 in D minor, conducted by Leonidas Kavakos. 

Memorable Tchaikovsky from Leonidas Kavakos and the Hong Kong Philharmonic is flanked by strong performances of Sibelius and Shostakovich. 

Jakub Hrůša puts a fresh face on two 20th-century milestones, with fiery support from Leonidas Kavakos.

They may seem like an odd pairing, but Wang and Kavakos defy the naysayers yet again, warming into a fascinating recital in Vienna.

The Dutch orchestra brings a pair of 19th-century German classics on its first visit to the Barbican for six years. 

Soloists Leonidas Kavakos and Antoine Tamestit brought elegance and gravitas to Mozart's Sinfonia Concertante, while Adès led a thoughtful performance of his own Shanty – Over the Sea.

Kavakos’ restless approach was haunting, and during the cadenza he pared back his sound till it was nearly transparent, stopping breaths as we all leaned in. 

A first performance in Leonidas Kavakos' Perspectives series showcases his great partnership with Yuja Wang. 

Two giants of the Romantic repertoire that were met with disdain by Eduard Hanslick at their premieres are given persuasive readings in Bucharest. 

Leonidas Kavakos puts down his bow and picks up the baton to conduct the Rotterdam Philharmonic in Ligeti and Dvořák. 

A programme of great contrasts as the first concert is streamed since it was announced that Sir Simon Rattle will leave the LSO in 2023. 

For a group of instrumentalists that seldom play together, the level of rhythmic, timbral and, most important, conceptual coordination was amazing.

It's the beginning of a new era of Singapore Symphony Orchestra history with Hans Graf at the helm offering an impressive performance.

Andris Nelsons conducts his "other" orchestra in Boston in a classic program of Brahms and Schubert. 

Valery Gergiev and the Munich Philharmonic deliver a dark, satisfying rendition of Shostakovich's Fifth Symphony. 

After London's farewell to Bernard Haitink the evening before, Andrés Orozco-Estrada had a tough act to follow with the Vienna Philharmonic. We needn't have worried. 

Conductor Yannick Nézet-Séguin’s recent debut with the Lucerne Festival Orchestra was a dazzling Beethoven-Shostakovich programme that epitomised the “power of music”.

Greek violinist Leonidas Kavakos plays – and conducts – the Chamber Orchestra of Europe in works by Mozart, Schoeck and Beethoven.

A rapt audience witnessed a very special musical event where superficial differences in musical style and personal presentation counted for nothing with musicianship of the highest order.

Playing works inspired by folk tunes from Romania, Hungary, France, Spain and England, Rattle pulled off a convincing performance, with Kavakos producing a strong Brahms concerto.

In a program including both modernist and neoclassical works, Michael Tilson Thomas and the SFO emphasized the common traits characterizing Stravinsky's entire ouevre.

Now entering his second season as Chief Conductor of the Deutsches Symphonie Orchester Berlin, Robin Ticciati is keen to show the breadth of his repertoire and the extent of the orchestra’s abilities. 

All three of these musicians are virtuosic soloists in their own right, but here they became far more than the sum of their parts – graceful, poised, and sensitive.

Classy performances from Leonidas Kavakos and Ying Fang, joining Christoph Eschenbach and the Verbier Festival Orchestra in a polished Berg Violin Concerto and a sublime Mahler 4.

With Chung on the podium, the Filarmonica played with a spontaneity that brought Brahms' restless music to life.

A long evening of very high class playing offered rich rewards in exploring modernist responses to a Debussian challenge. 

Under Andris Nelsons’ direction, the Boston Symphony Orchestra turn Strauss’ Alpine Symphony into a searching spiritual journey.

The amazing phenomenon that is Herbert Blomstedt leads the Gewandhausorchester from Leipzig in Beethoven's Triple Concerto and Bruckner's mighty Seventh.

Bereft of its guiding light, the orchestra shows resiliency and promise with a familiar face at the podium.

Riccardo Chailly and the Filarmonica della Scala give a wonderful account of two of Respighi's travelogues; Leonidas Kavakos plays Brahms with refinement – perhaps too much so for the Albert Hall.

The origins of chamber music lie in a wish for music that could fit within a small room. On display at the New York Philharmonic last Friday were recent contributions that wished for the opposite.

The New York Philharmonic brought two works to the stage at David Geffen Hall last week; their extremely polished rendition of Lera Auerbach's violin concerto contrasted starkly with their under-rehearsed Mahler.

Pianist Yuja Wang and violonist Leonidas Kavakos demonstrated an outstanding chemistry

Kavakos and Pace give us a textbook lesson in perfect balance between violin and piano as they trade the melody in Beethoven sonatas.

Crisp Bartók, eloquent Schubert and a poignant tribute to Zoltán Kocsis in the Budapest Festival Orchestra's latest concert. 

Valery Gergiev recently toured with the superb Mariinsky Orchestra, offering the Zurich audience a programme marked by startling contrasts.

Paavo Järvi continues his Nielsen exploration with performances that demonstrate his attraction to Haydn and love of Brahms. 

Leonidas Kavakos, the 2016-2017 New York Philharmonic season Artist-in-Residence conducts the ensemble in an ecclectic program.

Jurowski is a wonderful conductor to watch. He carves shapes through his bearing and gesture cleanly, and his indications are crisp and defined - yet he retains poetic fluidity through his hands at all times.