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Joana Mallwitz pairs rare Luigi Nono with Mahler's Fourth Symphony at the Konzerthausorchester's Musikfest Berlin programme. 

For the end of the season, Berlin's Konzerthaus unleashes the fury of the elements with a concert featuring Bernd Richard Deutsch's Organ Concerto Okeanos, together with works by Sibelius and Shostakovich. 

A folk-centred programme delights Berlin's Konzerthaus under the conducting of Joana Mallwitz – with the special participation of soloist Elisabeth Leonskaja.

Jurowski and the Berlin Radio Symphony Orchestra give the Konzerthaus a night to remember with pungent renditions of Goldmann, Weill and Stravinsky's Jeu de cartes.

At Berlin's Konzerthaus, Chief Conductor Christoph Eschenbach leads the premiere of Christian Mason's orchestral work An Ocean of Years and reunites with American pianist Tzimon Barto.

Pablo Heras-Casado a programme featuring a classic combination of Mozart and Schumann. 

A memorable account of Schubert's "Great" C major symphony, conducted – and analysed – by Joana Mallwitz.

The Konzerthaus Berlin devotes a six-day festival to a single composer under a single conductor. 

Riccardo Muti offers a non-interventionist approach in a concert showcasing a great orchestra on golden form.

Teodor Currentzis, bad boy of early music, appeared at the Konzerthaus Berlin with Patricia Kopatchinskaja and MusicAeterna for a performance that turned it up to 11.

Vikingur Ólafsson, a daring and unique artist, never repeated himself in a performance of Philip Glass' Etudes for piano as part of the Berlin Konzerthaus' "Festival USA".

A firecracker performance by Vladimir Jurowski and the Rundfunk Sinfonieorchester Berlin giving urgency to music composed at a time that echoes our own.

The orchestral writing proves to be the main point of interest in a rousing performance of Dvořák's rare dramatic cantata.

Berlin’s Konzerthaus Orchestra began its new season with works by two composers set against the artistic orthodoxies of their day.

For his guest appearance with the Berlin Konzerthausorchester last weekend, Russell Davies was joined by violinist Chad Hoopes for performances of Glass and Adams alongside Bruckner’s First.

Swiss composer Michael Jarrell was the subject of a composer portrait given by the Ensemble United Berlin under their Artistic Advisor and long-time conductor Vladimir Jurowski.

Andrea Marcon leads the Runfunk-Sinfonieorchester Berlin and the RIAS Kammerchor in Bach's Mass in B minor.

The Rias-Kammerchor and the Akademie fur Alte Musik Berlin perform pieces by J.S. Bach, Handel and C.P.E. Bach.

Maurizio Pollini, Caudius Popp, and Felix Schwarz shine in an evening of Strauss and Brahms with Daniel Barenboim and the Staatskapelle Berlin. 

Marek Janowski has been the chief conductor of the Berlin Radio Symphony Orchestra since 2002. This concert of Beethoven, Britten and Dvořák found both conductor and orchestra on find form. 

A varied programme of music for flute trio spanning a wide period presented at Berlin's Konzerthaus. 

The Klassische Philharmonie Bonn performs Respighi, Beethoven and Mozart in Berlin's Konzerthaus.

Benjamin Britten’s 100th birthday was celebrated on Thursday at the Berlin Konzerthaus with a spectacular performance of his seminal War Requiem.

The Camerata Salzburg’s evening of Mozart, Enescu and Vaughan Williams at Berlin’s Konzerthaus was a crisp and bubbling performance that stimulated the intellect as well as the emotions. Beginning the evening with George Enescu’s Two Intermezzi for String Orchestra, the Camerata swept audience members away into a world gone, but too lovely to be forgotten.

Sometimes the remedy for an extremely fast-paced life is a mellow afternoon in a fabulous concert hall. So it was that on Sunday, the Orchestra of the Berlin Konzerthaus put on a program featuring Dvořák at his most pastoral.Led by Iván Fischer and featuring soprano Anna Lucia Richter and mezzo Olivia Vermeulen, the program was devoted entirely to Dvořák.

Georges Bizet’s first major opera, composed and performed in Paris when he was a mere 25, has the dubious distinction of being both a success and a flop, depending on who is asked. Audiences at the première loved it, but critics panned it.

On Wednesday night the Turkish-born star pianist, all-rounder musician Fazil Say returned to the Konzerthaus in Berlin shortly after completing his successful year of artist-in-residence there. Say, who also composes and plays Jazz, is known for his unconventional approach.