PNB proves ballet is for the stage and the screen

Por Gillian Ebersole, 16 octubre 2020

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“the digital format allows for a rare closeness normally reserved for the coveted orchestra seats”

Crítica hecha desde Marion Oliver McCaw Hall, Seattle el 15 octubre 2020

Dances at a Gathering (Excerpt) (Jerome Robbins)

F O I L (Excerpts) (Eva Stone)

One Body (Albert Evans)

Swan Lake: excerpts (Marius Petipa, Lev Ivanov)

Jewels (Excerpts) (George Balanchine)

The Calling (Jessica Lang)

Mopey (Marco Goecke)

The Trees The Trees (Excerpt) (Robyn Mineko Williams)

Red Angels (Ulysses Dove)

Pacific Northwest Ballet

Lucien Postlewaite, Bailarín

Amanda Morgan, Bailarín

Cecilia Iliesiu, Bailarín

Juliet Prine, Bailarín

Abby Jayne DeAngelo, Bailarín

Christopher D'Ariano, Bailarín

Kyle Davis, Bailarín

Elizabeth Murphy, Bailarín

Steven Loch, Bailarín

Angelica Generosa, Bailarín

Leta Biasucci, Bailarín

Sarah-Gabrielle Ryan, Bailarín

Lesley Rausch, Bailarín

Jerome Tisserand, Bailarín

Dylan Wald, Bailarín

James Moore, Bailarín

Elle Macy, Bailarín

William Lin-Yee, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Anhelos, tormentos y divertimentos con la Compañía Nacional de Danza

Eduardo López-Collazo, 22nd July

La Compañía Nacional de Danza propuso un delicado programa que recorre los puntos fuertes de la agrupación en el Teatro Real, y donde la elección estrella fue In the nigth de Jerome Robbins.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

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Gillian Ebersole

Gillian Ebersole is a dancer and choreographer, as well as a poet, dance writer and educator. Gillian graduated Summa Cum Laude from Loyola Marymount University with a dual degree in Dance and English. Their first poetry book The Water Between Us received the Charlotte Mew Prize and was published by Headmistress Press in 2021. Gillian lives and creates in Berkshire County with their partner.

Pacific Northwest Ballet proves ballet is for the stage and the screen