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Jürgen Flimm bowed out of his role as Intendant of the Berlin State Opera with the German premiere of Salvatore Sciarrino's Ti vedo, ti sento, mi perdo.

The work takes its inspiration from the life of the little known Italian composer Alessandro Stradella who ended his life stabbed by killers sent by the husbands of his innumerable mistresses.

This summer’s production of Bizet’s Carmen on the Seebühne stage in Bregenz offers a great spectacle. 

Magisterial playing and conducting underpin an outstanding, engrossing evening of Wagner at the Schiller Theater.

Claus Guth gives the Staatsoper Berlin a Turn of the Screw unlike any other.

The Royal Academy of Music tonight presented the fruits of their latest postgraduate opera course with two short operas representing opposite ends of the musical timeline.Purcell’s miniature three-act opera really needs no introduction.

One of the consistent joys of seeing a performance by the Royal Academy of Music's opera school is that they bring in world class conductors. At last night's La vera costanza, the orchestra, conducted by Trevor Pinnock, was exceptional.

Die Zauberflöte besteht in Berlin alle Prüfungen, René Pape begeistert als Sarastro besonders.

Jürgen Flimms Produktion unterstreicht die frech-fröhlich-Mozartschen Züge der Figuren der spielfreudigen Besetzung.

Als Experiment gestaltete das Internationale Opernstudio eine lange fällige Inszenierung dieser Oper - mit vielversprechendem Ergebnis.