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The Flying Dutchman – or Le Vaisseau fantôme as it is known in French – makes a fleeting appearance at the Grand Théâtre de Provence in a rousing concert performance conducted by the dapper François-Xavier Roth. 

Strauss' 'conversation piece' of an opera is given a warmly sympathetic production with the musical rewards coming as much from the pit as the stage.

Andreas Homoki’s new production of Vincenzo Bellini’s I puritani wows with a quartet of stellar vocalists, but its awkward staging and set design are a distinct disappointment.

In Zurich, a dazzling production of Puccini's great Turandot gives us the stuff of torment, torture and all the other idiosyncracies of love at the executuve level.

Director Tatjana Gürbaca’s production of Aida in Zurich strictly underscores the psyche and emotional parrying of the principals.

Sonya Yoncheva shines in a production which proves that the story of Verdi's opera still feels current today.

Zurich recently brought a new cast to Robert Wilson’s production of Vincenzo Bellini’s Norma, a triumph of the bel canto style.

La nariz nos ofrece la oportunidad de reflexionar en clave irónica sobre la creación en su contexto histórico, las vanguardias, la política, la sociedad y la filosofía.

Romantisch und ergreifend: Petrenko und die Berliner Philharmoniker rühren mit Tschaikowskys Jolanthe zu Tränen.

Pour le milieu de la saison lyrique, on retrouvait une nouvelle fois Tito Ceccherini à la tête de l’Orchestre du Capitole pour diriger l’Enlèvement au Sérail. 

El Holandés errante sirve a la OCNE para desplegar todo su poderío sonoro en una noche en la que la Senta de Ricarda Merbeth robó el protagonismo a un desigual Terfel.