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Anthony Minghella's production remains a feast for the eyes, but this performance failed to gel into a dramatic whole. 

 “The Minghella Butterfly” has physically lost none of its luster, but the singing did not live up to the staging.

Despite an excellent cast and some glorious singing, Stephen Langridge's oft-revived 2012 production of Puccini's Madama Butterfly never quite takes flight. 

Despite the sombre staging, it’s the vocal fire that blazes in this impressive Trovatore in Paris.

Les Chorégies d'Orange present a new production of Verdi's Il trovatore with mixed results.

American tenor Brian Jagde is the standout in this Tosca, with just those notes of honey and throatiness that seem to wrap up an orchestra’s sound and deliver the whole package to your front door, no signature needed.

La Fura dels Baus's production balances the familiar with modern detail in a clever staging that packs a real punch. The Arena enjoyed its centennial edition last year, and one wonders whether this might be the production that they celebrate the next time around.

Pop culture baggage and a notorious story aside, La Gioconda at the Deutsche Oper amuses and intrigues.

À La Monnaie, La Gioconda bénéficie d'une distribution pleinement satisfaisante. La mise en scène sombre et glaçante d'Olivier Py laisse une impression plus mitigée.

Una inteligente escena a cargo de Mario Gas, que recrea un rodaje hollywoodiense en la década de los años treinta, y una cuidada dirección de orquesta a cargo de Marco Armiliato han puesto en el escenario del Real una magnífica versión de Madama Butterfly, protagonizada por Ermonela Jaho la cual brilló en técnica y en actuación.

Dirigentin Keri-Lynn Wilson und Hui He als Butterfly machen die ansonsten solide Inszenierung der Madama Butterfly zu einem Erlebnis. Joseph Calleja kann als Pinkerton lediglich einen blassen Eindruck hinterlassen.