David Robertson carried the Met Orchestra through one of the most brilliantly-conducted performances I’ve witnessed, though the music itself was not always impressive.
Francesca Zambello's huge, ambitious production returns once again to the Royal Albert Hall, with lavish costumes, excellent choreography and riotous crowd scenes which will charm children in particular.
When one hears an Esa-Pekka Salonen interpretation one expects no less than a keen and original approach tempered by an incredible ear for accuracy. This no doubt comes from his prolific work as a composer, work which has of late dominated his professional life.The sound he pulled from the cello section to open tonight’s concert of Wagner’s Tristan und Isolde was breathtakingly withdrawn.
The seldom-seen opera musical Lost in the Stars found prominence Friday night, enrapturing a full house at Glimmerglass Festival in New York, moving some of the actors themselves to tears, and stirring the audience to its feet for curtain call.
When I saw a three-tiered theater set-up on the Kennedy Center Opera House stage, consisting of boxes decorated with blue velvet, gold and exquisite paintings, I have to admit that even having seen various different stagings of Verdi’s Nabucco before, I was intrigued.
Opera Boston, whose mantra is “Only innovative repertory. Only original productions” has created a new production of Berlioz' Béatrice et Bénédict for Boston. Seductively charming, the production's depth and complexity become apparent with time and acquaintance – just like any worthwhile relationship.This little-seen opera is sung in French, with spoken dialogue.
La OCNE dirigida brillantemente por Nagano y con Sean Panikkar encabezando un sólido reparto vuelven a traer a Madrid The Bassarids la obra maestra de Henze veinte años después.
