Slick, surreal and creepy, with a strong cast of exciting young singers: it's hard to imagine a Turn of the Screw better than Glyndebourne's Jonathan Kent version, revived for their 2014 Tour by Francesca Gilpin.
Britten's score achieves his usual kaleidoscope of different colours, played marvellously by the City of London Sinfonia under Steuart Bedford. Annilese Miskimmon's production yields an intense dose of psycho-dramatic tension.
Britten’s The Turn of the Screw, part of the London Symphony Orchestra’s contribution to the Britten 100 celebrations, was supposed to have been conducted by Sir Colin Davis; it was instead dedicated to his memory following his death last Sunday.
Benjamin Britten’s 1954 opera The Turn of the Screw is a sensible choice for the New York City Opera: its chamber orchestration and emotional intimacy make it unsuitable for production by the Met Opera (against which every other company in town must define itself), and its claustrophobia would seem to offer a great opportunity for one of the company’s more innovative directors to create someth
Henry James’ chilling 1898 novella The Turn of the Screw is a curious story and might be considered a gift to any composer as the basis of an extraordinarily sinister opera libretto.
Faire naviguer les différents protagonistes de cette œuvre dans le huis clos sombre de la demeure de Bly, traiter les émotions de ces différents personnages sous le prisme de leur inconscient et rendre compte d’un réalisme froid tout au long de cet production de The Turn of the screw reprise à l'Opéra national du Rhin.
