Nearly three years after a memorable production of Les Indes Galantes, the Théâtre du Capitole reconnects with the master of the Treatise on harmony via Castor et Pollux, originally premièred by the Académie Royale in 1737.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-03-31UTC10:56:54+00:002015-03-29Nearly three years after a memorable production of Les Indes Galantes, the Théâtre du Capitole reconnects with the master of the Treatise on harmony via Castor et Pollux, originally premièred by the Académie Royale in 1737.Rameau's Castor et Pollux returns to the Capitole de Toulouseen_GBtruehttps://bachtrack.com/critique-castor-et-pollux-theatre-du-capitole-talens-lyriques-christophe-rousset-toulouse-mars-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngArnaud Saura-Ziegelmeyerhttps://bachtrack.com/22/270/list-published/16342https://bachtrack.com/22/270/list-published/16342https://bachtrack.com/files/252-profil.jpgOriginaire des Hautes-Pyrénées, Arnaud prépare actuellement une thèse de doctorat en histoire ancienne à l’Université de Toulouse. Passionné de musique, violoniste et pianiste, il poursuit en parallèle de ses études un cursus au Conservatoire et y obtient en 2011 et 2014 les Prix d’Histoire de l’art et d’Analyse musicale.https://bachtrack.com/files/8803-_59p1465_dxo.jpg620444Antonio Figueroa (Castor)Patrice Nin2015-Mar-24, Théâtre du Capitole: Castor et Polluxhttps://bachtrack.com/opera-listing/theatre-du-capitole/castor-et-pollux/24-march-2015/20-002015-03-242015-04-02Théâtre du CapitoleToulouseMidi-PyrenéesFrance31000Place du Capitole43.60451824358651.443865299224855
Two specially assembled suites from operas by Rameau opened this concert from the Orchestra of the Age of Enlightenment and William Christie at the Royal Festival Hall.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:51:25+00:002013-10-03Review of OAE 2013/14 season opener with William CHristie featuring music by Handel and Rameau.The OAE open their season with Handel, Rameau and William Christieen_GBtruehttps://bachtrack.com/review-oae-christie-rameau-handelBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSam Wigglesworthhttps://bachtrack.com/files/3115-oae_credit__richard_haughton.jpg400400The Orchestra of the Age of Enlightenment Richard Haughton2013-Sep-30, Royal Festival Hall: OAE: Gamechangers - Musical Fireworkshttps://bachtrack.com/listing-oae-christie-rameau-handel2013-09-302013-09-30Southbank Centre: Royal Festival HallLondonGreater LondonUnited KingdomSE1 8XXBelvedere Road51.505687-0.11683700000003228http://www.southbankcentre.co.uk/whatson/orchestra-of-the-age-of-enlightenment-71348?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/39528-southbank-centre-2016-17-season-image-240-x-240.jpg4
For the past ten years, Pinchgut Opera has established a reputation for excellence through mounting one opera production annually in Sydney (the name derives from an island in Sydney’s harbour, established as a prison from the beginnings of settlement). Their focus has hitherto been on lesser-known Baroque works, with a few later 18th-century outliers.
2012Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:35:51+00:002012-12-08David Larkin reviews Pinchgut Opera's performance of Rameau's Castor and Pollux in City Recital Hall, Sydney, Australia.Pinchgut Opera offers a marvellous performance of Rameau's Castor et Pollux in Sydneyen_GBtruehttps://bachtrack.com/review-castor-and-pollux-pinchgut-opera-sydneyBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Larkinhttps://bachtrack.com/22/270/list-published/944https://bachtrack.com/22/270/list-published/944https://bachtrack.com/files/135-dl_photo.jpgDavid is a lecturer at the University of Sydney, specialising in nineteenth-century music. Educated at Dublin and Cambridge, he has published on Richard Strauss, Liszt and Wagner. He gives pre-concert talks for the Sydney Symphony, and sings with a number of chamber choirs.https://bachtrack.com/files/2023-celeste_lazarenko_as_telaire_in_castor___pollux_4__credit_pinchgut_opera___simon_hodgson.jpg400400Celeste Lazarenko as Telaire in Castor & Pollux, Pinchgut Opera / Simon Hodgson.2012-Dec-06, City Recital Hall: Rameau's Castor et Polluxhttps://bachtrack.com/listing-castor-and-pollux-pinchgut-opera-sydney2012-12-062012-12-10City Recital HallSydneyNew South WalesAustralia2-12 Angel Place-33.867139151.207114000000054
Rameau's Castor et Pollux, his take on the Greek myth of two brothers so close that Pollux is prepared to descend into hell in the place of Castor, isn't exactly one of the standards of the repertoire.
2011Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:21:02+00:002011-10-29David Karlin reviews Barrie Kosky's new production of Rameau's Castor et Pollux for the ENOBarrie Kosky breathes life into Rameau's Castor et Pollux at the ENOen_GBtruehttps://bachtrack.com/review-rameau-castor-et-pollux-enoBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/796-castor_and_pollux_eno_2011_ed_lyon_credit_alastiar_muir.jpg400400Ed Lyon as Mercury Alastair Muir2011-Oct-28, The London Coliseum: Castor and Polluxhttps://bachtrack.com/listing-rameau-castor-et-pollux-eno2011-10-282011-12-01The London ColiseumLondonGreater LondonUnited KingdomWC2N 4ESSt. Martin's Lane51.5097808100746-0.126857757568359http://www.eno.org/book-now.php?utm_medium=display&utm_source=bachtrack.com&eventid=8123https://bachtrack.com/files/10360-castor.jpg4
El grupo francés Le Concert d’Astrée, dirigido por su fundadora Emmanuelle Haïm, interpretaron un programa de fragmentos operísticos de dos compositores fundamentales en el desarrollo de la música francesa: Marc-Antoine Charpentier y Jean-Philippe Rameau. Lo hicieron de la mano de una de las mezzosopranos más destacadas en el panorama internacional, Magdalena Kožená.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-04-03UTC16:37:39+00:002018-02-15El grupo francés Le Concert d’Astrée, dirigido por su fundadora Emmanuelle Haïm, interpretaron un programa de fragmentos operísticos de dos compositores fundamentales en el desarrollo de la música francesa: Marc-Antoine Charpentier y Jean-Philippe Rameau. Lo hicieron de la mano de una de las mezzosopranos más destacadas en el panorama internacional, Magdalena Kožená.Magdalena Kožená conquista el Auditorio Nacionales_EStruehttps://bachtrack.com/critca-madrid-auditorio-cndm-concert-d-astree-haim-kozena-charpentier-rameau-february-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPablo FitzGerald Cerdánhttps://bachtrack.com/22/270/list-published/17950https://bachtrack.com/22/270/list-published/17950https://bachtrack.com/files/35119-pablofitzgeraldfoto.jpgPablo FitzGerald Cerdán (Madrid, 1994) estudió el grado medio de guitarra clásica en el Conservatorio Profesional de Música de Arturo Soria, y actualmente estudia el grado medio de Instrumentos de Cuerda Pulsada del Renacimiento y el Barroco en el mismo centro, además de cursar, desde 2012, el Grado en Musicología en la Universidad Complutense. Como intérprete de música antigua, ha realizado cursos de perfeccionamiento y forma parte de grupos especializados en la interpretación de este repertorio, además de presentarse como solista. Como musicólogo ha ofrecido conferencias. Colabora también con la revista Síneris y es cofundador del blog 'Lírica para todos'.https://bachtrack.com/files/76785-myimage.jpg510340La mezzosoprano Magdalena KoženáOleg Rostovtsev2018-Feb-11, Auditorio Nacional de Música: Le Concert d’Astrée: Heroínashttps://bachtrack.com/concert-listing/auditorio-nacional-de-musica/le-concert-dastree-heroinas/11-february-2018/19-002018-02-112018-02-11Auditorio Nacional de Música: Sala SinfónicaMadridMadridSpain28002Calle del Príncipe de Vergara 14640.4460601-3.6776844999999414
Diesem wunderbar zusammengestellten Opernabend fehlte keine inhaltliche Dramaturgie, allein mit noch mehr Mut, Expression und Stimmung hätte das Theatralische dem Flair des Besonderen Rechnung getragen.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-01-26UTC10:44:34+00:002018-01-25Diesem wunderbar zusammengestellten Opernabend fehlte keine inhaltliche Dramaturgie, allein mit noch mehr Mut, Expression und Stimmung hätte das Theatralische dem Flair des Besonderen Rechnung getragen.Les Ambassadeurs zeichnen mit Rameau eine wechselvolle Liaison von Exotik und Einzigartigkeitde_DEtruehttps://bachtrack.com/kritik-valletta-international-baroque-festival-rameau-les-ambassadeurs-kossenko-debono-teatru-manoel-valletta-januar-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJens Klierhttps://bachtrack.com/22/270/list-published/17890https://bachtrack.com/22/270/list-published/17890https://bachtrack.com/files/294-20141224_171500.jpgJens Klier studierte Rechtswissenschaften in Bayreuth und setzt das Studium zur Zeit an der Universität Bonn fort. Seit seiner frühesten Kindheit spielte er Violine (Repertoire vom 17.bis zum 20. Jahrhundert) und wurde mit Gesang sowie dem Leben im Orchesterbetrieb groß. Dabei entwickelte sich ein besonderes Interesse an der historischen Aufführungspraxis.https://bachtrack.com/files/75217-ambassadeurs-3x4-g-12---copy.jpg510340Les AmbassadeursLes Ambassadeurs2018-Jan-22, Teatru Manoel: Rameau Operatic Highlightshttps://bachtrack.com/concert-listing/teatru-manoel/rameau-operatic-highlights/22-january-2018/19-302018-01-222018-01-22Teatru ManoelVallettaMaltaMaltaVLT 1060Old Theatre Street35.899818742543214.512403011322021http://vallettabaroquefestival.com.mt/index.php/programme?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/66572-vibf2018b.jpg3
Hervé Niquet présente au Théâtre des Champs-Élysées son interprétation de Castor et Pollux (version de 1754). Le premier opéra de la saison était attendu avec beaucoup d’impatience ; malheureusement, il n’a pas été à la hauteur de toutes les espérances.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-10-17UTC11:57:46+00:002014-10-17Hervé Niquet présente au Théâtre des Champs-Élysées son interprétation de Castor et Pollux (version de 1754). Le premier opéra de la saison était attendu avec beaucoup d’impatience ; malheureusement, il n’a pas été à la hauteur de toutes les espérances.Castor et Pollux de Rameau, version Hervé Niquetfr_FRtruehttps://bachtrack.com/critique-champs-elysees-rameau-castor-niquet-octobre-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJulie Jozwiakhttps://bachtrack.com/files/6961-20141010_07vp.jpg620269Omo Bello (Télaïre) et John Tessier (Castor)Vincent Pontet – Wikispectacle2014-Oct-13, Théâtre des Champs-Élysées: Castor et Polluxhttps://bachtrack.com/opera-listing/theatre-des-champs-elysees/castor-et-pollux/13-october-2014/19-302014-10-132014-10-21Théâtre des Champs-ÉlyséesParisÎle-de-FranceFrance7500815 avenue Montaigne48.86560572.3032392
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-10-08UTC11:44:34+00:002014-10-05La saison lyrique de l’Opéra de Dijon s’ouvre sur une production de Castor et Pollux qui ne laisse personne indifférent.L’Opéra de Dijon met Castor et Pollux en boîtefr_FRtruehttps://bachtrack.com/critique-rameau-castor-dijon-astree-kosky-octobre-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJean-Marc Piriouhttps://bachtrack.com/22/270/list-published/16667https://bachtrack.com/22/270/list-published/16667https://bachtrack.com/files/269-jean_marc_piriou__1_.jpgDiplômé de l’École Centrale Paris et titulaire d’un Doctorat en Biophysique Moléculaire, Jean-Marc occupe différentes fonctions dans le secteur de l’environnement. Passionné de musique depuis l’enfance, il étudie le saxophone, le piano, puis se forme au chant lyrique (ténor). S’il s’intéresse à tous les styles et toutes les formes de musique, l’opéra est sa grande passion.https://bachtrack.com/files/6809-castor___pollux_op__ra_de_dijon__gilles_abegg_img_0261.jpg620587Erwin Aros (Mercure)Opéra de Dijon / Gilles Abegg2014-Sep-26, Opéra de Dijon: Castor et Polluxhttps://bachtrack.com/opera-listing/opera-de-dijon/castor-et-pollux/26-september-2014/20-002014-09-262014-10-04Opéra de DijonDijonBurgundyFrance11 Boulevard de Verdun,21000 Dijon,France47.32823345.052550600000018http://www.opera-dijon.fr/en/spectacle/castor-pollux/?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/16602-castor_pollux_dijon.jpg3
