En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Vasks

De Takemitsu à Vasks en passant par Schubert et Xu Yi, l'ensemble basé à Salzbourg et récemment lauréat d’un Troisième Prix au Concours de musique de chambre d’Osaka a proposé un programme très bien pensé.

Le directeur musical de la phalange toulousaine a fait le plein malgré un audacieux programme Rautavaara-Vasks-Stravinsky, avec Daniel Lozakovich en invité d'honneur.

Dans le cadre du festival pyrénéen, Lisa Strauss a donné un récital marquant dans la grande salle des Grottes des Canalettes, la veille d'un beau concert de clôture dans l'Abbaye Saint-Michel de Cuxa.

La jeune musicienne russe a réservé au public de la Chapelle protestante un récital original et de haute tenue, associant aux suites de Bach des pièces modernes dans un jeu toujours convaincant.

Pour leur premier concert de la saison, le chef et l'orchestre ont proposé une Eroica mémorable, après avoir accompagné l'excellente Lisa Batiashvili dans le Concerto pour violon de Tchaïkovski.

Dans une soirée décousue, les artistes lettons ont montré un talent instrumental certain, qui n'a toutefois pas suffi à compenser le manque de cohérence du programme.

La célèbre phalange a proposé une interprétation magistrale du chef-d'œuvre de Rachmaninov, donnant dans la transparence et la précision plus que dans le sombre mystère.

Pour le centenaire de l'État de Lettonie, les musiciens de l'Orchestre National de Lettonie dirigé par Andris Poga et accompagné de Nicholas Angelich offrent un concert de haute volée à la Philharmonie.

In Rhythm Riot, English National Ballet presents a triple bill joined together in quality and contrast like matching pieces of a jigsaw.

Francesc Valldecabres dirigió además de con extrema solvencia técnica, con detallismo, un sesudo programa que devino en una experiencia emocional intensa.

McNicol Ballet Collective celebrates its 5th anniversary with excerpts of three previous successes and a brand new one act ballet.

Reflektierend und voller Hoffnung: Paradisi Gloria in polnischer und baltischer Musik des 20. Jahrhunderts begeisterte in der Münchner Herz-Jesu-Kirche durch einfühlsam meditative Grundstimmung.

Klaus Mäkelä returns to Cleveland with a recent piece by Jimmy López Bellido, prefacing a pair of English works that feature Sol Gabetta, Thomas Hampson and The Cleveland Orchestra Chorus. 

Sydney Dance Company provide wonderful athleticism with mixed results choreographically.

A superb evening of vivid and involving performances of Mozart, Vasks and Shostakovich, showcasing the very best of this South Coast orchestra.

A new concept of high-end cabaret ballet with an incredible line up. 

There is a depth of tenderness in McNicol’s work that needs to be explored. We sensed it in Of Silence, and it unfolds in more provocative ways in Moonbend.

Candida Thompson’s performance of Pärt’s Spiegel im Spiegel with understated beauty, immaculate phrasing and restrained emotion, steals the show.

The Norwegian violinist performs a trio of contemporary works in an evening that concludes with Einojuhani Rautavaara's Angel of Light. 

Structurally intricate and riddled with personal undercurrents, Tchaikovsky’s Symphony no. 5 was handled with a deft touch by conductor Daniel Raiskin. 

The Royal Stockholm Philharmonic Orchestra's superb playing is constrained by the limits of streaming. 

Igor Stravinsky once described Sergei Rachmaninov as "a six-and-a-half foot scowl". His Second Symphony – often a lugubrious affair – was here turned into something urgent and vital. 

The pictures win out as Bill Henson's powerful, complex and mysterious images take on the ACO's music, ranging from REM to Pēteris Vasks.

Mit „Midnight Sun” präsentiert die Baltic Sea Philharmonic ein spezielles Konzertkonzept, bei dem die Werke nicht einfach hintereinander gespielt wurden.

Higgins never forgets that the concerto form has a playful element

The Scottish Ensemble with guitarist Sean Shibe perform a thoughtful programme of ancient and modern Christmas-themed music in a candlelit St John’s Kirk.

An intriguing combination of three contemporary Baltic composers matched against Bach, delivered with consummate musicianship by Kremerata Baltica.

Alina Pogostkina and the Belgrade Philharmonic strings shone in Peteris Vasks' atmospheric Distant Light while Fabrice Bollon entertained with Shostakovich's most exuberant symphony.

The Latvian Radio Choir, coupled with the Sinfonietta Rīga Orchestra under the conductor Sigvards Kļava give an ethereal rendition of four contemporary Latvian composers in Riga Cathedral.

The Scottish Ensemble is joined by I Fagiolini in a Winter Chorale linking ancient and modern music for Advent and Christmas. 

Vasks’ Viola Concerto receives its Scottish première with Maxim Rysanov and the Scottish Chamber Orchestra as they explore music and nature in the Baltic, Rome and America.

Rachmaninov had a strange fascination with the Dies irae chant. For last night’s concert, Andrés Orozco-Estrada prefaced the Symphonic Dances with a rendition of this Gregorian Chant.

With utter technical mastery, the ACO extract every emotion from a concert that gets progressively darker as the evening proceeds. 

Alina Ibragimova with the Scottish Ensemble perform exuberant early teenage Mendelssohn, deeply spiritual Pärt and Vasks, politically lethal Hartmann and utterly thrilling Bach.

Zecharies y la orquesta transmitieron a la perfección la angustia y la excitación que el Concierto de Tubin exuda de principio a fin

Nesterowicz and the NSO deliver a stunning Shostakovich Symphony 10 while Vähälä captivates with the magical delights of Vasks' Distant Lights.

The Turku Philharmonic showcases some of the finest work from 20th-century Slavic composers.  

After a stirring Marseillaise, a sombre mood hung over the first half of this Proms season opener, with Sol Gabetta's lyrical, intimate Elgar. 

Conductor Tomáš Netopil reprises the spirit of the festival and adds a modern burnish with an energetic performance of a smart, satisfying program.

Das Hamburger Ensemble Resonanz präsentiert sich zusammen mit Alina Ibragimova vielseitig beim 2. Internationalen Musikfest in seiner Heimatstadt.

The final stop on the Basel Chamber Orchestra's Australian tour at the Sydney Opera House saw Sol Gabetta in fine fettle as soloist in Cello Concertos by Saint-Saëns and the Latvian Vasks.

McFall's Chamber was full of surprises exploring 20th century music from the Baltic. The Finns' love affair with the Tango contrasted with passionate brooding Baltic landscapes – and there was a saw.

Das NDR Sinfonieorchester bot neben Dauerbrenner Tschaikowsky eine überzeugend starke Interpretation des zeitgenössischen Komponisten Peteris Vasks.

A concert built on the work of composers from Britain, Finland and Latvia formed a rewarding programme of choral, vocal and orchestral music with several gems. 

LRC give a sublime rendition of Rachmaninov's All Night Vigil and astound with surreal vocal effects in the contemporary music of the second half. 

Where lies the boundary between musical performance and performance art? With more and more musicians choosing to incorporate digital or multimedia elements into their performances, concerts are increasingly defying easy categorisation.

Yordan Kamdzhalov's final concert as GMD Heidelberg presents Alina Pogostkina in a glowing performance of Vasks' Distant Light, and shines in Bruckner 9 with reconstructed finale.

On a day when Christians around the world reflect on suffering, torment and lost hope, but with the distant promise of light soon to return, the strings of Northern Sinfonia offered a programme that could serve as a secular, humanist alternative to Good Friday; music written in dark times and troubled places of 20th-century Europe, music that is at times brooding and disturbed, sadly nostalgic but