Klaus Mäkelä captivates in vibrant and varied Cleveland program

Klaus Mäkelä conducts The Cleveland Orchestra

Sol Gabetta, Klaus Mäkelä and The Cleveland Orchestra

Thomas Hampson, Klaus Mäkelä and The Cleveland Orchestra and Chorus

Par Sam Jacobson, 14 avril 2024

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“marshaled with aplomb by Mäkelä’s virtuoso baton technique”

Critique faite à Severance Music Center: Mandel Concert Hall, Cleveland, le 13 avril 2024

López Bellido, Perú Negro

Elgar, Concerto pour violoncelle et orchestre en mi mineur, Op. 85

Vasks, Grāmata čellam (Le Livre du violoncelle)

Walton, Belshazzar's Feast

Sol Gabetta, Violoncelle

Thomas Hampson, Baryton

The Cleveland Orchestra Chorus

The Cleveland Orchestra

Klaus Mäkelä, Direction

Cleveland et Franz Welser-Möst en hérauts des temps passés

Julien Hanck, 16th October

Ces dernières années, on a surtout entendu Mahler sculpté par des baguettes démiurges : celles de Rattle, de Nézet-Séguin ou de Harding. Toutes ces lectures paraîtraient outrancières face à celle que proposait Franz Welser-Möst et l'Orchestre de Cleveland à la Philharmonie.

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Brahms à la Salle Pleyel

Luca Dupont-Spirio, 20th September

Arrivés à Paris pour l'avant-dernière étape de leur tournée européenne, Franz Welser-Möst et l'Orchestre de Cleveland ont interprété Brahms avec une précision aussi intimidante que remarquable.

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From a ‘classical‘ symphony to Götterdämmerung in Cleveland

Sam Jacobson, 7th May

Franz Welser-Möst leads a program reflective of the artistic threads that have defined his Cleveland tenure: Prokofiev, contemporary Austrian music and Wagner.

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Barbara Hannigan surveys American voices with The Cleveland Orchestra

Sam Jacobson, 14th February

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

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The Cleveland Orchestra at Carnegie Hall: symphonic extremes

Sam Jacobson, 21st January

Following a polished account of Mozart’s Jupiter Symphony, Shostakovich’s Eleventh erupted with visceral force, as Franz Welser-Möst led The Cleveland Orchestra in a performance of gripping intensity.

*****

A study in control and proportion: the Clevelanders’ Verdi Requiem

Edward Sava-Segal, 20th January

Asmik Grigorian leads a strong quartet of soloists and the Cleveland Orchestra Chorus shape the performance at Carnegie Hall.

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Klaus Mäkelä captivates in vibrant and varied Cleveland Orchestra program