En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Kirill Karabits

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Paris

24 nov. 2017

Kirill Karabits et Maximilian Hornung à l’ONF : une vague de fougue slave envahit la Maison de la Radio

Par Suzanne Lay-Canessa

Rare Rimsky in rousing rendition from Kirill Karabits at The Anvil

Par Mark Pullinger, 28 janvier 2022

Antar could almost be taken as a dry run for Rimsky-Korsakov's masterpiece, Scheherazade and it impressed in this performance by the Bournemouth Symphony Orchestra.

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Basingstoke

28 janv. 2022

Rare Rimsky in rousing rendition from Kirill Karabits at The Anvil

Par Mark Pullinger

A mad king and an angelic voice: Kirill Karabits and the London Symphony Orchestra

Par Alexander Hall, 16 décembre 2021

Jump-ins are always risky: Kirill Karabits took over this LSO programme from Sir Simon Rattle. Though he left his mark with Debussy and Berlioz, his credentials in Mahler were open to question.

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Londres

17 déc. 2021

A mad king and an angelic voice: Karabits and the LSO

Par Alexander Hall

Born in the USA with Kirill Karabits and the Bournemouth Symphony Orchestra

Par David Truslove, 13 octobre 2021

A concert of Americana characterised by great tunes and infectious rhythms, but lacking emotional involvement and only partially realised communication by soloist Valeriy Sokolov.

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Poole

14 oct. 2021

Born in the USA with Karabits and the BSO

Par David Truslove

Toulouse

Prokofiev’s colourful scores well served by Kirill Karabits in Toulouse

Par David Truslove, 13 mars 2021

Two popular Prokofiev works were given vivid accounts by the Orchestre National du Capitole de Toulouse at the opening concert of the Franco-russes Festival.

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Toulouse

14 mars 2021

Prokofiev’s colourful scores well served by Karabits in Toulouse

Par David Truslove

A delicious confection of classically inspired works from Kirill Karabits and the BSO

Par Chris Garlick, 06 janvier 2021

French Baroque from a 20th-century perspective as well as the real deal with François Couperin's hommage to Jean-Baptiste Lully.

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Poole

06 janv. 2021

A delicious confection of classically inspired works from the BSO

Par Chris Garlick

Kirill Karabits and the BSO celebrate Beethoven's 250th with Prometheus

Par Linda Holt, 11 novembre 2020

The Bournemouth Symphony Orchestra offers sweeping early Beethoven and a 250th birthday tribute by Magnus Lindberg.

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Poole

11 nov. 2020

Kirill Karabits and the BSO celebrate Beethoven 250

Par Linda Holt

Zürich

Technology to the rescue in Zurich's new staging of Boris Godunov

Par Laura Servidei, 20 septembre 2020

The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether.

Zürich

22 sept. 2020

Technology to the rescue in Zurich's new staging of Boris Godunov

Par Laura Servidei

Binge-listening: a bumper Beethoven Weekender at the Barbican

Par Mark Pullinger, 01 février 2020

Nine symphonies, five orchestras, two days: an immersive weekend as part of the Barbican's Beethoven 250 coverage featuring some of the UK's finest orchestras.

Londres

02 févr. 2020

Binge-listening: a bumper Beethoven Weekender at the Barbican

Par Mark Pullinger

Bournemouth Symphony Orchestra bring pre-Christmas treats to Poole

Par David Truslove, 04 décembre 2019

A concert of ear-catching tunes from the Bournemouth Symphony Orchestra swept by under the efficient and occasionally uninvolved direction of Kirill Karabits.

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Poole

06 déc. 2019

Bournemouth Symphony bring pre-Christmas treats to Poole

Par David Truslove

City Noir in Basingstoke: Bournemouth Symphony Orchestra impress at The Anvil

Par David Truslove, 31 octobre 2019

Music across a century from two different cultural spaces made for a fascinating journey with the Bournemouth Symphony Orchestra and Kirill Karabits as superb guides.

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Basingstoke

04 nov. 2019

City Noir: BSO impresses at The Anvil

Par David Truslove

Prom 4: Karabits and the BSO journey beyond the moon in a fast machine

Par Nick Boston, 21 juillet 2019

Exhilarating Adams and insightful The Planets from the BSO and Karabits, with a Proms debut from Nemanja Radulović in Barber with great presence and warmth.

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Londres

23 juil. 2019

Prom 4: Karabits and the BSO journey beyond the moon in a fast machine

Par Nick Boston

New York City

A Rachmaninov evening with the Russian National Orchestra at Lincoln Center

Par Edward Sava-Segal, 20 février 2019

A marvelous musician, Mikhail Pletnev, conveyed a fresh perspective on the inner works of Rachmaninov's Second Piano Concerto.

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New York City

22 févr. 2019

A Rachmaninov evening with the Russian National Orchestra

Par Edward Sava-Segal

Dublin

Karabits and the Bournemouth Symphony Orchestra deliver a bittersweet Walton Symphony no. 1

Par Andrew Larkin, 10 mai 2018

The BSO deliver a malevolent Walton Symphony no. 1 and a joyous Elgar In the South. Meanwhile, Trpčeski provides lovely moments in Tchaikovsky's Piano Concerto no. 1.

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Dublin

14 mai 2018

Karabits and Bournemouth Symphony Orchestra deliver bittersweet Walton

Par Andrew Larkin

Russian flames: Nemanja Radulović and Kirill Karabits set The Anvil alight

Par Mark Pullinger, 19 avril 2018

An animated performance of Tchaikovsky’s Violin Concerto from Radulović along with a gripping account of Rachmaninov's First Symphony makes for a splendid night of Russian fire with the BSO.

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Basingstoke

20 avril 2018

Russian flames set The Anvil alight

Par Mark Pullinger

Transcendent Bruckner from the Bournemouth Symphony Orchestra in Basingstoke

Par Elisabeth Schwarz, 01 décembre 2017

Shining brass highlighted an honest Bruckner Eight which was preceded by Mozart’s Piano Concerto in A major played by Robert Levin.

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Basingstoke

03 déc. 2017

Transcended Bruckner with the BSO in Basingstoke

Par Elisabeth Schwarz

Unfamiliar Russians break the routine with Karabits and the Bournemouth SO in Bristol

Par Andrew Morris, 16 novembre 2017

Kirill Karabits leads the BSO in music by Glazunov and Tchaikovsky, which prove more appealing that David Fray's Beethoven.

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Bristol

18 nov. 2017

Unfamiliar Russians break the routine

Par Andrew Morris

Leeds

Karabits and the Bournemouth SO bring Messiaen's “Song of Love” to Leeds

Par Richard Ely, 07 octobre 2017

Chances to hear Messiaen's epic Turangalîla-Symphonie are few and far between and should be grasped accordingly.

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Leeds

08 oct. 2017

Messiaen's Song of Love in Leeds

Par Richard Ely

Prom 30: Innovation, fantasy and Old Testament excess from Bournemouth

Par John Johnston, 07 août 2017

Kirill Karabits and the Bournemouth Symphony Orchestra brought a wide ranging programme from the south coast for their annual Proms visit.

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Londres

09 août 2017

Prom 30: Innovation, fantasy and Old Testament excess

Par John Johnston

Wonderful German Romanticism from the Bournemouth SO at the Lighthouse

Par David Truslove, 22 février 2017

Schumann and Wagner were twinned in a programme focusing on works written in 1850 with impressvie results.

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Poole

24 févr. 2017

German Romanticism from the BSO

Par David Truslove

Luminous Lutosławski from Kirill Karabits and the Bournemouth Symphony

Par Gavin Dixon, 15 février 2017

Karabits leads an adventurous programme at the BSO’s Poole home, with flamboyant violinist Nemanja Radulović on surprisingly refined form in the Barber Concerto.

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Poole

16 févr. 2017

Luminous Lutosławski from Karabits and the BSO

Par Gavin Dixon

Dreams and elusive shades: Dutilleux at The Lighthouse

Par Mike Allen, 20 janvier 2016

Cellist Jean-Guihen Queyras and the BSO capture the contrasting colours in French and Russian music.

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Poole

21 janv. 2016

Dreams and elusive shades: Dutilleux at The Lighthouse

Par Mike Allen

BSO and Isserlis perform moving Shostakovich

Par Alexandra Hamilton-Ayres, 12 novembre 2015

The Bournemouth Symphony Orchestra returned once again to the Colston Hall to perform three very different works. Steven Isserlis headlined the evening with a fantastic rendition of Shostakovich’s Cello Concerto no. 1.

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Bristol

14 nov. 2015

BSO and Isserlis perform moving Shostakovich

Par Alexandra Hamilton-Ayres

Prom 34 Turbulent storms: Grimes revisited and earthy Prokofiev from the Bournemouth Symphony Orchestra

Par Mark Pullinger, 10 août 2015

The Bournemouth Symphony Orchestra returned to the Proms with a trio of works, composed between the turbulent years 1944-45.

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Londres

11 août 2015

Grimes revisited and earthy Prokofiev from the Bournemouth

Par Mark Pullinger

Storm and passion from the Lighthouse: Verdi's Requiem

Par Phil Smith, 06 mai 2015

A thrilling evening at Poole’s Lighthouse with the BSO and Chorus plus a quartet of superb soloists, conducted by Kirill Karabits in an unforgettable performance of Verdi’s Requiem.

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Poole

07 mai 2015

Storm and passion from the Lighthouse: Verdi's Requiem

Par Phil Smith

Romantic drama from Sunwook Kim and the Bournemouth Symphony Orchestra in Rachmaninov

Par Phil Smith, 29 avril 2015

A very exciting evening at Poole’s Lighthouse with the BSO and artist in residence Sunwook Kim playing Rachmaninov’s Third Piano Concerto together for the first time.

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Poole

01 mai 2015

Romantic drama from Sunwook Kim and the BSO in Rachmaninov

Par Phil Smith

Sally Matthews delights in Straussian swansongs with the Bournemouth SO

Par Phil Smith, 25 mars 2015

Sally Matthews comes home to the South of England to give a beautifully delicate and heart-rending performance of Strauss’ Four Last Songs with the BSO.

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Poole

27 mars 2015

Sally Matthews delights in Straussian swansongs

Par Phil Smith

Bournemouth Symphony performs UK première of Penderecki’s Fourth Symphony

Par Phil Smith, 25 février 2015

This concert, in a nifty piece of skilful programming, comprised a Beethoven sandwich, with Penderecki’s Fourth Symphony as the filling, both composers who clearly enjoy pushing the boundaries of classical form.

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Poole

27 févr. 2015

UK première of Penderecki’s Fourth Symphony

Par Phil Smith

Joy and Triumph from the Bournemouth Symphony Orchestra and Kirill Karabits in Poole

Par Phil Smith, 28 janvier 2015

It may have been an absolutely freezing night in Poole but the BSO treated us to a heart-warming evening of life-affirming music, world-class music-making.

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Poole

30 janv. 2015

Joy and Triumph from the BSO in Poole

Par Phil Smith

Karabits and the Bournemouth Symphony Orchestra on top form in Shostakovich at the Anvil

Par David Truslove, 27 novembre 2014

Mahler’s Blumine, Beethoven’s rarely performed Triple Concerto and Shostakovich’s Fifth Symphony were given a fresh coat of paint by the BSO.

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Basingstoke

29 nov. 2014

Bournemouth Symphony Orchestra on top form

Par David Truslove

The Bournemouth Symphony Orchestra brings assured Bruckner to Basingstoke

Par Katy S. Austin, 10 octobre 2014

Kiril Karabits brings out the climaxes, in a solid performance of Bruckner's Seventh Symphony in Basingstoke, couple with Mozart's Clarinet Concerto.

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Basingstoke

12 oct. 2014

BSO brings assured Bruckner to Basingstoke

Par Katy S. Austin

Kirill Karabits launches BSO’s new season into the stratosphere

Par Phil Smith, 01 octobre 2014

The beginning of a concert season given by the Bournemouth Symphony Orchestra is always eagerly anticipated – especially when directed by their Principal, award-winning conductor, Kirill Karabits.

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Poole

03 oct. 2014

Karabits launches new season into the stratosphere

Par Phil Smith

Edimbourg

Edinburgh International Festival: Shostakovich's Leningrad Symphony

Par Alan Coady, 17 août 2014

The I, Culture Orchestra animate an Edinburgh Festival audience with elegy, irony and defiance.

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Edimbourg

19 août 2014

Edinburgh International Festival: Shostakovich's Leningrad Symphony

Par Alan Coady

Revelling in oriental splendour: Karabits tames Scheherazade

Par Mark Pullinger, 22 avril 2014

Sinuous and seductive, wily and beguiling, Scheherazade can prove a handful for many conductors. Do you try to tame her capricious moods or succumb to her will? Kirill Karabits allowed Clio Gould and the Royal Philharmonic Orchestra to relate the tale at their own pace.

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Londres

22 avril 2014

Revelling in oriental splendour: Karabits tames Scheherazade

Par Mark Pullinger

Will the real CPE Bach please stand up? A newly revealed St John Passion at Cadogan Hall

Par Mark Pullinger, 16 avril 2014

Kirill Karabits’ imaginative programme revealed CPE Bach as a difficult composer to place, with a symphony bearing all the hallmarks of a young Mozart and an ode with pre-echoes of Haydn’s The Creation, counterbalanced by the UK première of his 1784 St John Passion where, in the chorales at least, CPE demonstrated that he was a chip off the old block.

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Londres

17 avril 2014

Will the real CPE Bach please stand up? A newly revealed St John Passion at Cadogan Hall

Par Mark Pullinger

Dublin

Kirill Karabits in Dublin: A tale of two halves

Par Andrew Larkin, 27 mars 2014

Kirill Karabits directs the Bournemouth Symphony Orchestra in electrfying Prokofiev, while Nicola Benedetti impresses in Korngold in Dublin.

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Dublin

29 mars 2014

Kirill Karabits in Dublin: A tale of two halves

Par Andrew Larkin

Bournemouth Symphony Orchestra play Berlioz, Liszt and Scriabin in Bristol

Par Alexandra Hamilton-Ayres, 07 février 2014

The theme to the evening’s programme at the Colston Hall was “The Power of Love”. Spread over a century, the three works programmed were all romantically driven.

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Bristol

08 févr. 2014

Bournemouth Symphony Orchestra in Bristol

Par Alexandra Hamilton-Ayres

Prom 42: Kirill Karabits, Sunwook Kim and Bournemouth Symphony Orchestra

Par George Slater-Walker, 14 août 2013

Wednesday night’s Prom saw the Bournemouth Symphony Orchestra and their principal conductor Kirill Karabits give the fourth instalment of the season’s Tchaikovsky symphony cycle with the sunny, confident Third, in D major. As the programme noted, the D major symphony is somewhat hard to place between the folksy, popular appeal of the first two and the high psychological drama of nos. 4–6.

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Londres

16 août 2013

Prom 42: Kirill Karabits, Sunwook Kim and Bournemouth Symphony Orchestra

Par George Slater-Walker

Enchanting Russia: The RPO play Borodin, Prokofiev and Tchaikovsky

Par Sarah Reid, 20 mars 2013

It took the Royal Philharmonic Orchestra a little while to settle into tonight’s performance – which was a shame, because Borodin’s overture to Prince Igor can be a fantastic programme opener. A slightly untidy brass chord began the measured introduction, which sadly lacked tension in the build-up to the sudden fanfare and breakneck main theme.

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Londres

26 mars 2013

Enchanting Russia: The RPO play Borodin, Prokofiev and Tchaikovsky

Par Sarah Reid

Worlds apart: Kirill Karabits conducts Bournemouth Symphony Orchestra in Bristol

Par David Fay, 04 octobre 2012

Good programming makes for a good concert. Chosen works must fit well together, providing enough musical contrast to keep things interesting, but they must not be so different as to jar listeners with alien soundworlds. All too often, organisers whip up concerts in which any link between pieces are entirely superficial and completely amusical.

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Bristol

06 oct. 2012

Worlds apart: Kirill Karabits conducts Bournemouth Symphony Orchestra in Bristol

Par David Fay

Gateshead

Britain's Got Talent: Young Musician of the Year 2012

Par Jane Shuttleworth, 13 mai 2012

Throughout the preliminary rounds of BBC Young Musician 2012, the judges have stressed that the emphasis is on musicianship, on looking for that extra spark that makes every performance really special, but also on the importance of enjoying music.

Gateshead

14 mai 2012

Britain's Got Talent: Young Musician of the Year 2012

Par Jane Shuttleworth

Karabits and the Bournemouth Symphony on top form

Par Nahoko Gotoh, 10 août 2011

Each year, BBC Proms provides a great opportunity for the UK regional orchestras (in particular for the non-BBC orchestras such as the Bournemouth Symphony, the Halle and the Liverpool Philharmonic) to showcase themselves. This year, I decided to sample Kirill Karabits and the Bournemouth Symphony as I have been hearing good things about this partnership for a while.

Londres

12 août 2011

Karabits and the Bournemouth Symphony on top form

Par Nahoko Gotoh

To the Memory of an Angel

Par Andrew Benson-Wilson, 11 mars 2011

Thus reads the dedication of Alban Berg’s Violin Concerto, written in 1935 to commemorate the short life of Manon, the 18-year old daughter of the famous architect Walter Gropius (founder of the Bauhaus) and Gustav Mahler’s widow, the complex socialite, Alma Mahler. The apparently enchanting Manon (described as “an angelic gazelle from heaven”) died after suddenly contracting polio.

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Basingstoke

12 mars 2011

To the Memory of an Angel

Par Andrew Benson-Wilson

Mozart's Don Giovanni at English National Opera

Par David Karlin, 06 novembre 2010

Mozart's Don Giovanni is an opera that is most difficult to classify. On the one hand, it has many of the trappings of a traditional opera buffa: a fast-paced farce with people falling in and out of bed, master and servant switching clothes, a buffoon-like manservant sung in the bass register and so on.

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